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What our customer's say!

"Wow....what more can I say?", I've been a huge fan of the Black Keys for a long time, and I must say that they have yet to disappoint with any CD release, including Attack and Release. Although they do deviate from the "garage band" sound of just two dudes jamming, this album stays true to their blues-inspired music. If you are worried that this album will be nothing like the Black Keys that you know and love, don't. I was skeptical at first simply because it was produced by Danger Mouse, and was concerned that the blues roots would be lost. I had no need for my concern. In short, if you love the Black Keys, you should buy this album!

"...and I thought nothing could compete with Jack White..", This is the first Black Keys record I've heard and I am completely hooked. There isn't much music out there that's really truly, raw, bluesy, that rocks, and that has captured much of my listening time but this record is pure genious. a MUST for any music collection....any GOOD music collection that is...




"Not their best album", The Black Keys have ventured far from their break-out album The Big Come Up, and while some of the songs still rock, most of the album sounds over-produced. The gritty, wailing guitar sound that makes the The Black Keys so great seems to have taken a haitus. But, all that said, tracks 1 and 2 seems to be a step in the right direction, hopefully they'll see that for their next album.

"THE FRIKKIN' IRONY, PEEPS!!!", Attack and Release
If you love BK, fer the love of MUSIC -- start hunting! There is more great stuff out there. MUCH more. Blues-based rock bands have been neglected and ignored for years. And no, you don't have to go to classic rock catalogs to find them (check out Tishamingo's "The Point"). The irony is that it took Danger Mouse, a "hot" hip hop producer, to put this band on the national new music map.

"The Black Keys = A Different Approach", Attack & Release is no doubt the most accessible album released by The Black Keys. It was the first one recorded "properly", and the sound quality is noticeably more clean.

That said, it does not tamper with the band's raw blues-rock sound. Their first single getting airplay in Detroit, "I Got Mine" is a mind-blowing rock tune. Attack & Release is perhaps more funky sounding than previous works, such as the strange flute sounds on "Same Old Thing". "Strange Times" is a very powerful track, and also can be heard in Grand Theft Auto IV. "Psychotic Girl" is funky and seems to be a crowd favorite during live shows.

Attack & Release is a fresh, blues rock sound that really shows the Black Keys flexibility in the studio. People looking to listen to this band for the first time, try this CD.

Read this reviews before You buy...

"Worth your Cash", I always thought the Black Keys were a cool little band but with Danger Mouse production skills it just makes them so much better. It gives them a fuller sound with beats you can bob your head to. Back story to this album is amazing. Supposively Danger Mouse was going to produce a blues record for the legendary Ike Turner but he needed a backing band. The Black Keys agreed to be that backing band. While they were reheasing with Danger Mouse(Turner not present), Ike Turner passed away. Eventhough the Turner record was a no-go Danger Mouse and Keys formed a great chemistry together and decided that they should make their album together. Pure Genius. DM did not uber-commericialize it, he just sharpened the edges a bit plus adding nice bass line for a back beat to songs like, "Psychotic Girl" or using a syntheseizer and keys on the chorus to "Strange Times" to give it bigger body without ruining it.
Favorite songs- "Psychotic Girl" "Strange Times" "So he won't Break"

"The Black Keys - Attack and Release 8/10", Much like their Midwest brethren, the White Stripes, the Black Keys are a blues duo specializing in raw, lo-fi DIY tunes, and much like the faux-sibling pair, the Black Keys have steadily progressed from workmanlike blues and rock to, well, still more solid blues and rock, albeit with slightly more advanced recording techniques.

Attack & Release continues this trend, although with the versatile Danger Mouse producing, some deviation from the formula is to be expected. "Psychotic Girl" sounds eerily like what Gnarls Barkley might sound like if they were a blues outfit with a penchant for banjo, and Dan Auerbach's vocals on "Lies" call to mind the best of the great southern soul singers.

The Keys haven't lost focus, however; "Remember When (Side B)," I Got Mine," and a host of other songs continue the barnburning minimalist tradition that they've been perfecting since the 2001, and while it isn't particularly anything new, it's still old school enough to be interesting.

"THE album of 2008", I've been a fan of the Black Keys for quite a while now, and I've gotta say: this new album is the best thing I've heard in a long time. The Black Keys for me have always held a certain tone and quality that always seems familiar in the back of my mind, and this is just the next step forward. Some of the lyrics get a little repetitious but its easy to look over that fact with the quality of music these two dudes make. Please give it a try- you'll thank yourself.

"Don't buy the vinyl version !!", I just did a mistake by buying the vinyl version of this great album. I collect vinyl, so I was very glade to have it. But it's a sonically shame !!! It's a mystery why the CD version sounds good and the vinyl SO BAD. Somebody has done something wrong on the way of producing the vinyl.

"I'm a little sad...", listening to this latest Black Keys album. I know it's very popular to love this album and the collaboration between Danger Mouse and the Keys, but it just ain't got the simple beauty of their earlier stuff. While I agree with others that innovation and change are good things for bands to explore, I do not think that is what happened here. It feels to me like they just dressed up some old concepts and dulled the edge that makes the early stuff so great. I also agree that Magic Potion was not very inspired, but I do miss being amazed by the incredible depth of the early, simple, raw, recordings. It's possible to innovate without losing the soul.