Others say...

"Great Sounds From A Classic Artist"
I looked forward to buying this CD as soon as I heard about the release date, but then I began reading some of the reviews on CDNow when the recording first became available.

Van's music has been an inspiration since the 60's, and I am glad I finally ignored the negative reviews and bought this one. I guess I don't know why some feel this is somehow less than acceptable. Fans have done this with Bob Dylan since he picked up an electric guitar. There is always something that they object to when an artist chooses to be creative.

Van's artistry and muse are intact, and if you really are a fan of his music, you will love this CD, because that was my reaction. It is like every record, tape and CD I ever purchased and played that he created. His sound will always be unique, and I hope he continues to inspire real fans for a long time.

"Musically fantastic - not so sure about the lyrics..."
Yes! YES! The best album Van's put out since A Sense of Wonder, and it might even be better than that, which would mean this is his best album since Veedon Fleece, which at this point is thirty-four years old. That's not to say he's been in suck-ville for the past three decades (unlike someone we know - hi, Santana!), because he's made good records in between those two. A Sense of Wonder! Poetic Champions Compose! Enlightenment! Back on Top! Magic Time! Irish Heartbeat's probably good, too! And all of them are better than Avalon Sunset! Ha! But anyway, this isn't any more than Van going over territory he's been down several times before. The difference between this and the similar Down the Road (if you haven't heard it, don't bother - it isn't bad or anything, but that's about all I can say for it) is that Van's actually putting loads of effort into this one. In fact, the first three songs are all pretty much classic Van. "How Can a Poor Boy?" has a great chorus hook and fun horns. "School of Hard Knocks" has a great guitar hook and, most importantly, Van sounding youthful and invigorated on the vox again. "That's Entrainment" has a bit of jazz, a bit of country and a bit of soul. It sounds really good, too! I just wish it had been a bit longer, so Van could do his signature romantic ad-libbing. The next song, "Don't Go to Nightclubs Anymore," sound a bit too nightclubbish for my tastes, but hey! It's not bad at all! In fact, there's only one bad song on this album, which I'll get to in a moment. Anyway, the downbeat "Lover Come Back" is quite enjoyable. So is the acoustic-blues title track. And the guitar solo on "End of the Land." Then you get that aforementioned weak track, "Song of Home." It's country, and I don't like country. Another thing I don't like about this album are the lyrics. Van's mostly whining about how bad the industry has treated him, something he's been doing for quite a while now ("Soul," which still has another great guitar solo, this one electric and rock-oriented, title track, "School of Hard Knocks"), though he's also sometimes spewing clichés ("End of the Land," "Lover Come Back"), or trying and failing to make a reasonable hook out of "Blah, blah, blah" on the otherwise enjoyable "Behind the Ritual." I've never been a huge fan of Van's non-Astral Weeks related lyrics in the first place, but here they're just banal and stupid. Still, lyrics aren't everything, and I like the music here so much that it's a moot point.

"Ohhhh that voice of his!"
I am such a die hard vanfan. Van Morrison is a musician and a poet. That voice of his just does something to me. The way he sings about sunsets, foghorns, spirit and lost love is just incomparable. Once you start getting lost in his music, you cannot stop.
Van Morrison is the only one whose new releases I will buy unheard.
His only album which does nothing for me is "A period of transition".

"new jazzier music from an Irishman"
Other than "Moondance" which came out when I was in high school and includes the song "Moondance" as well as a copy of Van Morrison's greatest hits, that was all I owned by him. Thanks to Amazon.com's feature of being able to listen to "snippets" of songs from each CD, I liked what I heard and ordered this CD. Van Morrison still has a good voice and each cut is good and it's not like you want to skip a couple. It's a little more bluesy that I remember his older music to be. I recommended this CD to several of my friends and relatives.

"R-O-C-K!"
Ivan...I LOVE'ya man, but you gotta ROCK again!! I mean, flat out, shake the walls ROCK & ROLL! You are VERY capable of it, and YOU KNOW IT! We're waiting.....

 

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  Keep It Simple

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What our customer's say!

"Van Morrison-not so simple", Listening to this new CD takes me back to the "rocker" days of my youth. I loved it and often put it in a 6 CD rotation with Delbert, Willie and Ray Charles!!!

"Van Morrison - Keep It Simple", Excellent CD. I don't think he will ever put out something as great as "Into the Mystic", etc., but this is really a good CD.

"any van morrison album is good", As a long time Van Morrison fan, I have nearly everything he has ever recorded. The songwriting is not up to that of his best work but that is a very high standard to achieve. This is a spare sound that he apparently intentionally achieves. It gives plenty of room to appreciate his voice and the way he and only very few others can interpret a song. I enjoy the album but would rank it in the middle to maybe lower third of his work. That still ranks it as better than just about anything else out there. Probably the album is one that will grow on you but, if you are not expecting songs that keep it REAL simple, you will be disappointed.

"A Pleasant Surprise", Van Morrison has certainly evolved musically in the 41 years since "Brown Eyed Girl" first hit the charts. The "Simple" premise of Morrison's latest offering is quite ironic. Van Morrison composed and sang all eleven tracks, as well as instrumentally performing the saxophone, harmonica and ukulele. His trademark horn section is noticeably missing from the album, but the extra space is filled with a strong set of backup singers.

As Van Morrison's first album in three years, Keep It Simple was a very pleasant surprise. Morrison has held strong to his authentic American Folk, Blues and Jazz influences even at this stage of his career. His vocal performance is still very strong, as are his lyrics and compositions.

When the bluesy intro of "How Can A Poor Boy" opened the album, I was immediately intrigued. Bringing the Blues with a strong Gospel influence, it puts the listener into the Church of Morrison, with the man himself preaching from the pulpit. "School of Hard Knocks" may surprise the listeners as Morrison isn't necessarily associated with "Hard Knocks," but the tracks is one of the album standouts.

Unfortunately, many musicians tend to degrade musically as they progress in age, but this certainly isn't the case with Van Morrison's Keep It Simple. The album feels as if it could have been released in several different decades, and still hold it's appeal. After all, an album has to be solid if it has a song called "That is Entrainment..."

Keep It Simple is a much better album than I had expected from the 62 year-old Van Morrison. His expressive vocals are still intact after many years of performing, and it comes through loud and clear on the album. He closes with "Behind the Ritual," where he reveals that "behind the ritual you'll find the spiritual." Van Morrison has undoubtedly transcended his fifty year ritual and found the spirit of music on Keep It Simple.

"Simply Van!!", Really, Van Morrison may age, but he just doesn't get old! Classic Van style on these tunes and his voice is strong. He's still got it! I love music, just about any type, but my husband is a "classic rock" kind of guy. I bought this CD for him (mostly), and I have to wrench it from his hand so I can listen once in a while! If you are a Van fan, you must have this.



 
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Read this reviews before You buy...

"Typical, incredible Morrison", Typical, incredible Morrison. As always, the more I listen the deeper the meaning . . . 'stretching time stretching time . . .'

"Soul of Talent", Once again Van Morrison proves why his longevity in the music biz is well deserved. With his distinctive voice and lush musicianship, this new effort ranks right up there with his classics ("Moondance", "Poetic Champions Compose", etc.). Highly recommended.

"lost highway is apt", I first saw Van live in 1967. I have been a fan for more than 40 years. In my opinion, this is his most banal and aimless recording ever. The last recording that moved me was "Back on Top". My son (a musician) and I were lamenting Van's missing muse. My advice is for Van to record again when (if) he finds her.

"Dull as dishwater", What's with this guy? His recent output is all interchangable, tedious riffs that could have been written by anyone. There's nothing distinctive (other than the ageless voice) and nothing you haven't heard before on this album. Save your dough or, if you simply must buy a Van Morrison album, get a copy of "Veedon Fleece" and revel in what this artist used to produce. Now he's simply tedious.

"From an Van the Man Fan", While this is a solid presentation of straight-ahead blues and R&B, it lacks the creative and emotional flair of Van's greatest work, which has been mostly lacking since the mid 90's.

 
 
 

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