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"Our dark history" Rendition is very well done. It left me speechless and exhausted at the end. This movie is an indictment on the outgoing Bush administration and where our country as descended in human and civil rights.
"Torture: American Style" Films that incorporate a solid political message along with outstanding performances are few and far between. The problem is incorporating the message without ramming it down the audience's throat. Or not losing the audience in a quagmire of politicalese. Syriana suffered from the latter, while this one suffered only slightly under the strain of throat ramming and some poor character development (or minimal screen time).
The film's premise is based on the U.S. legal maneuver known as "extraordinary rendition," which, when translated, means the deportation of suspected terrorists to countries outside the U.S. for interrogation (see torture).
Names, a person's birth country, and the color of one's skin come into play strongly, giving the flick a well-deserved sense of political bigotry. When Anwar El-Ibrahimi (Omar Metwally, Munich) comes back to the U.S. (his adopted home country) he is met at the airport by agents who quickly stuff him into a van and whisk him off to a far-away country. The big question is why? The reality is startling. When a U.S. agent is accidentally killed, the U.S. terrorists chasers want a scapegoat or, at the very least, someone to cop to helping the one who did it. And poor Anwar just happens to be in the wrong place at the wrong time (with the wrong name and skin color).
Jake Gyllenhaal (Brokeback Mountain) stars as a CIA operative who has to witness firsthand the "interrogation" of Amwar. Having been friends with the American who was killed, Douglas Freeman (Gyllenhaal) quickly loses his stomach for the methods used by the U.S.- backed, foreign interrogators.
Back in America, Amwar's pregnant wife Isabella (Reese Witherspoon, Walk the Line) is wondering why he hasn't returned home. Calling upon an old beau named Alan Smith (Peter Sarsgaard, Jarhead) who works for Senator Hawkins (Alan Arkin, Little Miss Sunshine), Isabella is given the runaround by the higher-ups regarding her husband's whereabouts. Finally given the name of a homeland security person named Corrine Whitman (Meryl Streep, The Devil Wears Prada) she again butts heads with government silence on the policy of extraordinary rendition.
Horrible and redeeming, RENDITION has plenty of strong actors who are given tidbit parts (except for Jake Gyllenhaal), giving much of the film an unidentifiable message from the standpoint of characters and our lack of caring for any of them.
It is, however, well told. And the way the story works itself from beginning to end and then back again was pretty impressive (more of a parlor trick, though, but still fun to watch).
"Extraordinary Rendition" Once Upon a Time in Hollywood: From the Secret Files of Harry Pennypacker Shadow Watcher Nobody Drowns in Mineral Lake
"I fear you speak upon the rack, where men enforced do speak anything."
That's a line from Shakespeare's THE MERCHANT OF VENICE, and it's also a key theme in RENDITION, a disturbing, yet very good film.
Omar Metwally plays an Egyptian citizen, a successful chemical engineer who has lived in the United States since he was 14-years old. He's married to Reese Witherspoon, has a young son and another child on the way.
On his way back to his home in Chicago from a scientific conference in South Africa, he is intercepted at the Washington D.C. airport and taken into custody by the CIA. They believe he is a terrorist and may be responsible for a recent bombing in North Africa.
Even though he passes a lie detector test and there is no credible evidence against him, CIA chief Meryl Streep orders that he be sent back to Africa for interrogation and torture.
Jake Gyllenhaal plays a low level CIA agent, assigned to oversee Metwally's interrogation. He becomes increasingly uncomfortable with what he observes, particularly after he is convinced that the man is innocent.
Alan Arkin and Peter Sarsgaard are cast as the U.S. Senator and his chief aide to whom Witherspoon turns when her husband disappears.
RENDITION, directed by Gavin Hood, is a tense, exciting political thriller that follows multiple characters and storylines to a powerful climax. There is also a major surprise near the end of the film.
© Michael B. Druxman, author of ONCE UPON A TIME IN HOLLYWOOD
"A study in unreasonable torture" I like films that question the methods our present administration is involved, and this film does that. Well acted by all, including a caustic Senator enacted very well by Meryl Streep. The film raises the question of how far can we go in the detaining of a person we suspect to be a terrorist and the methods of what constitues "torture". I think the only people who would object to this film would be the conservative right.
"A serious film about a serious topic that will make you cringe" This 2007 film is scary. That's because the theme is about the practice of interrogating suspected terrorists in a foreign country where laws against torture do not apply. This practice is called rendition and this film makes it real. It's hard to watch.
The film opens in an American middle class suburb. Reese Witherspoon is playing with her small son when they get a phone call from her husband, Omar Metwally, an Egyptian citizen who has lived in America for 20 years. He tells his wife and son he is on the way home from a business trip and they plan on meeting him at the airport. All seems well.
When he gets off the plane, however, he is detained at the airport and questioned. He is a chemical engineer and the questioners are asking questions about a terrorist bomb plot. He denies everything. He seems clean but Meryl Streep, playing a high powered Washington decision maker, orders him to be put into rendition and he is whisked away to an unnamed middle eastern country and his name erased from the plane's passenger log while his wife and son wait patiently at the airport for a husband and father who has disappeared.
The scene now shifts to an unnamed middle eastern country where Yagal Noor, an Israeli actor of Jewish Iraqi descent, is cast in the role of the interrogator. Jake Gyllenhaal is cast as an American diplomat, who has just lost a co-worker in a suicide bombing, and has been promoted to assist Yagal Noor with the questioning. It is awful. I am cringing now just writing about it as scenes of waterboarding and electric shock torture are shown in detail. There is also a subplot about the interrogator's daughter and a suicide bomber which expands the story.
In the meantime Reese Witherspoon is trying desperately to find her husband. She seeks out an old boyfriend, played by Peter Sarsgaard who works for a senator, played by Alan Arkin. Even when they confront Meryl Streep, there is a blank wall of silence. Jake Gyllenhaal, however, is beginning to have a change of heart as the torturing goes on.
This is a serious film about a serious topic. It will make you cringe and it will also make you think. I give it a high recommendation but it is not recommended for the faint of heart.
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Rendition
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""I fear you speak upon the rack ,Where men enforced do speak anything"-Shakespeare", A detailed review of this movie might ruin the pleasure of discovering how each character makes the choice between acting morally or simply walking away and doing nothing.
The movie elucidates legal rendition used by the United States, where suspects are taken into US custody but delivered to a third-party state. Torture by proxy is the most abhorrent form of torture, because it frees you from direct involvement in what is being done to another person. Since 9/11, the CIA has reportedly launched an investigation into such cases of "erroneous rendition" where suspects were subject to rendition, confessed to crimes they didn't commit and were later found to be innocent civilians.
The subject of rendition in this movie is a wrongfully accused Egyptian born engineer (Omar Metwally), who lives in the United States with his wife (Reese Witherspoon) and child. For the first time in his life, CIA analyst Douglas Freeman (Jake Gyllenhaal) watches this torture, led by Fawal (Yiqal Naor, who gracefully played Saddam Husain in "House of Saddam"), and chooses to take a moral stand despite his boss's disapproval. At the same time, in juxtaposition to the torture event, a young suicide bomber, under the powerful control of a terrorist group, makes his own moral choice.
Great performances and a great story, enhanced by the presence of Meryl Streep and Yiqal Naor. Some might find the idea of a CIA member standing up to his bosses or a suicide bomber saying no to his recruiters incredible. In real life both people might not survive, but I believe that some hope still exist and the duty of the director and the movie is to propose the possibility of hope.
Is the idea of hero who dares to change things, merely a dream? Perhaps, but it's a grand dream!
"Thought provoking", Though this political thriller makes its sympathies clear from the outset, it raises numerous issues that will make you think about the policies a democracy should condone in the name of fighting terror. It's not as black and white as it may seem to either side in the torture debate. The script here is intelligent, the acting very fine and much of the dialogue is in subtitles, lending some authenticity, even if the trick is becoming more and more of a film cliche. This is a very taut drama. Watch it.
"A film that did very little with a lot of (potential) material.", "Rendition" sheds light on the outrageous policy of extraordinary rendition, a policy that allows the U.S. government to detain persons of interest with no formal warrant or explanation. The plot of the film has been well-explained by other reviewers, so I won't go into that. This film had so much potential to bring forth new, compelling information about rendition, but failed to do so. Instead, it succombed to typical Hollywood theatrics. I suppose it's still worth a viewing, though, if you want to learn the basics of this outrageous policy.
What's much more worthy of attention is the documentary "Outlawed", which is featured in the special features on this disc. "Outlawed" tells the story of a German man who was captured and detained for nearly 5 years. In those five years, he was transported between several "underground" prisons in several different locations around the world. The documentary is a long interview with the man recalling his nightmare experience. It is truly riveting. I wept openly when first I saw it.
All in all, the film is a disappointment, but, as I've mentioned, the documentary included in the special features is superb.
"Not vintage Meryl Streep", I am always interested in Meryl Streep. Her name was listed in a way suggesting she was a principal player. She is not.
This DVD will give you about 10 minutes of a character type that does not allow Streep to display her range of acting talent.
There are many other reviews which address the question of the use of interogation techniques in fighting terrorists and I don't wish to add another. This is not a "war" movie which will bring the country together.
"Thought provoking film", Some interesting twists in this one!
The acting is well done. The story is more political than I expected but is worth watching. Character portrayal seems genuine although harsh as probably it needs to be to depict the real world.
The film seems one sided at times as you are pulled into the situation the pregnant wife is facing waiting for for news about her husband after missing from an international trip. There are no right or wrong answers here. Those in charge are guarded about what they are doing and those who can help are reluctant to risk their careers by getting involved.
For the viewer, who is not really sure if the captive is guilty or innocent, it's important to see things from both sides. The tactics are considered legal to fight terrorism but what if the suspect is innocent of the charges? There is a related thread that does not connect until quite late in the film. I had to keep wondering how that story line was related to the main topic - then the surprise ending... and it all comes together.
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"Outstanding", Outstanding presentation of a dark turn in American policy. "For every man you torture, you make a thousand enemies."
"Good, gripping movie", This was definitely a typical Hollywood portrayal of torture and rendition that I'm sure has gone on. I'm also sure that when authorities are out looking for suspects and leads, they undoubtedly come upon some that are false. I don't think they s/b tortured, but they shouldn't be given rights as US citizens either. I think this movie portrays the exception - a person who's been in the US for 20 years. What should be done? In this case he s/h/b brought in for questioning and detained. then released and watched. For others that have been caught like bin Ladens driver with missiles in the car, they should be imprisoned like he was.
"Typical mindless liberal nonsense.", Typical left wing "Hate America first" moive. It is all our fault terrorists hate us. There were not terrorists before Bush etc...
Save you money and get the same BS from the kook liberal blogs.
"If you think torture's a good idea, follow through your own logic", I was pleasantly surprised by Rendition. Sure, the film is political, and many will feel annoyed at the coverage. But, when you think about it, the torture in the movie "isn't that bad". In other words, if you buy Cheney's POV, then this is the least you could expect to happen - a bit of waterboarding. Is it pleasant to watch? No. But then, again if you agree with Dick, it shouldn't matter much, should it? Why raise a fuss?
What I liked about the movie is that it didn't shirk at showing the arguments _for_ torture. Merry Streep's much more convincing when she states "we saved 7000 people with those kinds of methods, a few months back" than her character in Lions For Lambs. Simple, to the point.
And some of the Islamists are shown to be pretty ugly-minded folks as well, not much deserving of sympathy.
The flip side? Well, the torturee confesses to something he didn't do (wouldn't you, to make it stop?) and the suicide bomber is initially motivated by his own brother's death at the hands of the secret police. The locale seems to be Morocco or Algeria, some Francophone place with heavy anti Islamic repression.
So all in all Rendition does a good job of presenting the fairly complex moral context in which this type of torture is being used. Too bad there is no real way to dress it up as an ethical choice, innit? The Gestapo was famous for waterboarding, btw, so be careful which moral side you pick and remember that it costs, heavily, in public relations. Remember also that, if torture really won wars, more countries would be doing it.
Movie-wise, the end twist was neat. But I could have done without the Reese Witherspoon pregnancy tearjerker. And Jake's character's actions were a bit hard to believe in.
""The Fight Over 'Rendition'...Has to Be Water-tight!"", You have to go out on a limb reviewing `Rendition'. It makes political points, but it asks relevant questions. Liberals, undoubtedly, will enjoy the import of the film which takes issue with tortured suspects interrogated in foreign lands. Conservatives will take issue with some of the tactics and hand wringing that goes into these procedures, yet it must be stated there are some balances within the film. The most relevant questions have to do with plausibility. Is this a believable and watchable viewing experience? It is, but with some reservations.
The film brings us to three major fronts. In Chicago, Egyptian born Anwar El-Ibrahimi (Omar Metwally) has called home, informing his wife Isabella (Reese Witherspoon) when to pick him up from the air port. He is returning from South Africa on a business trip as a chemical consultant. Meanwhile, in an unnamed country in Northern Africa, a terrorist bombs a café where artist Khalid El-Emir (Moa Khouas) is meeting with his girlfriend, Fatima. Her father is at that café, but so are C.I.A. operatives Dixon (operative head) and his young sidekick, Douglas (Jake Gyllenhaal). During the bomb blast Dixon is killed in their car as a dazed and bloodstained Douglas gets to safety and is appointed temporary head of the operation.
In Washington D.C. Anwar makes his last connecting flight home, when he is suddenly detained, hand-cuffed, and interrogated by Lee Mayer (J.K. Simmons). Even more tough minded is official Corrine Whitman (Meryl Streep) who ensures Anwar remains extradited in Egypt where he's subject to the kind of torture and coercion not allowed on our own borders. His ordeal is grueling to watch, but the scenes of water boarding, electrical torture, and solitary confinement make an emotional appeal to the audience. Expecting soon, Isabella at least has some of her burden removed by an advocate at our nation's capital. A high aide to Senator Hawkins (Alan Arkin), Alan Smith (Peter Sarsgaard) knows Isabella and Anwar and makes an appeal, trying to investigate his strange disappearance. He becomes impotent when confronting a tight lipped Whitman and Hawkins who doesn't want to appear soft on terror.
The weakest link of the movie is not the mistaken identity scenario, which is truly believable, but the method used. Apparently cell phone records were contacted, and officials tell that "maybe" Anwar has a record linking him to the terrorist attack. Of course he does make some calls to relatives, but as traceable as evidence gets, the connection is a little far-fetched.
Despite all the characters presented, 'Rendition' is fairly simple to follow. Don't expect it to be as taxing or confusing as 'Syriana (Full Screen Edition)' or 'Babel'. While the film asks unsettling and controversial questions, it doesn't provide the tension or execution of movies like `The Kite Runner' or `A Mighty Heart'. (The latter film was about the beheading of `Wall Street Journal' reporter Daniel Pearl and may satisfy some who may be skeptical about the ability of Hollywood to balance it's views on terrorism.) Here Corrine Whitman is a stalwart, but with a steely voice she does point out to Alan that their operation saved thousands of lives in the U.K.
Is this film "fair and balanced"? To a point, but it does raise real issues with a treatment that's well acted, decently scripted, and mostly provides a good, plausible movie experience.
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