Others say...

"Why, Ben, Why?!"
I'll start off by saying that I am a HUGE Dennis Lehane fan. He's not my favorite author (Harlan Coben is), but he's definitely in my top 5. I can't say that I like all of his books, but in my opinion "Gone Baby Gone" is one of his better ones. Usually, I don't like book to movie adaptations, as I tend to think that there's no way that a movie can supersede the book that it's based upon, but there's been a few exceptions that I can think of right off the top of my head. "Shawshank Redemption", for example, which is based on a short novel by Stephen King. "Mystic River" is another one, which is based on the book by the same name, and by no other than Dennis Lehane himself. So I thought to myself, it can't be all that bad. Boy, was I wrong. Ben Affleck, and whoever put him in charge, and behind the camera, should be fired and banned from having anything to do with movie making industry ever again. While we are at it, ban Casey, and all the other Affleck's, if there are any, too. But actually, it wasn't Ben Affleck's directorial debut that I have complaints about (honestly, I was quite impressed with it), but rather his choice of actors (I assume that he played a big part in casting). Now let me explain what exactly I mean by that. In my book, Ben Affleck is THE WORST actor of all time. PERIOD. I don't think the word "actor" can be even applied in the same sentence with Ben Affleck. I'm a movie buff, and will watch pretty much anything. However, I try to avoid movies with Ben Affleck for the reason mentioned above; Paul Walker (SECOND WORST actor ever... "Running Scared" is an exception - I enjoyed that movie enormously, and can only wonder how much better it could be without Paul Walker in it); and ... yes, Casey Affleck, who is the THIRD WORST actor, partially because of his VERY annoying voice, but mostly because of the fact that he simply can't act. Anyway... Back to the movie, and why I hated it so much. But you've probably already guessed it - THE CHARACTERS killed it. Casey Affleck's portrayal of Patrick Kenzie was, for the lack of a better word, HORRIFIC. Arnold Schwarzenegger would've done a better job. Is Casey the only one to blame? Unfortunately, not. His "better" half, as someone referred to her in the movie, or the character of Angela Gennaro, wasn't much better also. That's not how I imagined those two when I read the books. They lacked emotion; they lacked chemistry; they lacked anything else that you can possibly think of. And what about Bubba?! He's supposed to be the meanest, the toughest person to walk the face of this planet. Loyal to his friends, but ruthless to his enemies. So who was the whiny, whimpy fatso that played him? Hey, Ben, have you read the book?! Unbelievable... The girl's mother, and her uncle were overplaying a bit. Morgan Freeman was totally underused. I think the only bright spot in the movie was Ed Harris, who almost nailed his part. And the only reason I say "almost" is because he was surrounded by a bunch of losers. So to summarize, if you haven't read the book, and don't mind that pathetic excuse of an actor Casey Affleck, then there is a chance that you might enjoy this movie (although I would still recommend to just pick up a copy of a book, and read it). Otherwise, I suggest to stay as far away from it as possible. You've been warned...

"Good story line, too many fowl words"
I liked the story of this movie and I thought the acting was good, however, the overuse of the "f" word detracted from it. If someone cannot be more creative with words than that, something is wrong. And if people really talk like this then they need an education. Using the "f" word to describe EVERYTHING shows a lack of creativity. The problem is in this day and age most movies are full of profanity. Using such language should not become mainstream or the norm. Actors, writers, directors, etc. should be ashamed of themselves!

"Gone Baby Gone"
The movie sucks. How could a person living in this day and age not see the future for this little girl. He should have had some balls, and left her with the Captain and his wife.

"buy the book"
Movie is very good.
But the book is much, much better.
Casey Affleck and Michelle Monoghan ressemble Lehane's characters very well.
But Casey's voice!!!!!
It becomes irritant in the end hearing his high tone.
Did the guy had an accident in his youth????
Sorry, Ben and my sympathies, Casey.....

"Don't Read the Book First"
Let's get one thing out of the way first: if profanity in movies bothers you, don't watch this one. According to the director's commentary, there are over 200 swear words in the movie, to the point where it's almost a distraction early on. I'm not sure what the point of that was, since the book doesn't have nearly that many, and books don't have to go before rating boards. This is definitely not one for the whole family to watch.

Which brings me to my main problem with the movie: I've read the book. It's the fourth book in a series by Dennis Lehane, the author of Mystic River. The five books follow private detectives Patrick Kenzie and Angela Gennaro, and they're some of my favorite suspense/mystery novels. Not many authors can tell stories like these while simultaneously exploring their characters to the depth that Lehane does. One who does a similar job is Stephen R. Donaldson, but that's another review.

I know it's not fair to blame a movie for not having everything the book has, or for being less complex, so I'm trying not to do that. I know if you tried to faithfully reproduce these books on film, you'd need several hours (which is why I think most novels should be TV miniseries, not feature films). But some things about the characters still bothered me.

Casey Affleck, who plays Patrick, is just too young and pretty. In the books, Patrick is regularly beaten up or shot. He's 35-40 years old, and feeling the aches and pains of a life with too many hard knocks. (Lehane even said he took a break from writing about Patrick and Angie when he looked back at the books and saw how much of a beating he'd been giving them, and decided they deserved a break.) Affleck does a good acting job, but it's a different character; I don't think he ever even gets a split lip.

Angela is even worse. In the books, although we see the story through Patrick's eyes, he and Angela are very much equal partners, and she's saved his bacon as often as the reverse. Here, although Michelle Monaghan looks pretty much exactly like Angie looked in my head, she's practically a mouse except for a couple scenes. She mostly just tails along with Patrick, and when they have their big disagreement at the end, it comes out of nowhere. (Starting with the fourth book really hurts here, because there's no history to explain where they're coming from.) Looking at the reviews, some people didn't even know if she was Patrick's wife, assistant, or what. That character was a major disappointment in the way it was written.

Almost as disappointing is Bubba. Lehane describes him as "six feet four inches, 235 pounds of raw adrenaline and disassociated anger. And he'd shoot anyone who blinked at [Patrick] the wrong way." Movie Bubba is a fat kid who shows some menace, but nowhere near the barely controlled mayhem of the real Bubba. He's a fairly standard Hollywood drug dealer, and we never get any indication of the way he feels about Patrick and Angie. No time for that, I suppose.

So if you want a great story, with deeply drawn characters who go through the wringer, get the books, starting with A Drink Before the War. Having said that, the movie is pretty good in its own right. The crime plot is scaled way back, and isn't any easier to understand for being simpler, but it's still suspenseful and entertaining. The way it was shot in Boston with a lot of locals as extras gives it a "real" feel that serves the story well. I'm not usually a person who notices direction unless it's bad, but I think Ben Affleck did a good job here.

I like Casey's voice-overs; his voice matches the character better than his looks. Amy Ryan is good as the mother of the kidnapped girl, although I was surprised to see she was nominated for an Oscar for mostly acting stoned and crying a lot. Her character is more likable here than in the book, but she's still easy to loathe, which is critical.

The real star might be Ed Harris, who plays his character to the hilt. He's electrifying every time he's on screen. It's too bad that some of the plot simplification required scaling back his character, so his motivation ends up being much simpler than it was originally, but it's still a great performance. Come to think of it, I don't know if I've ever seen a bad performance from him.

I'm giving it three stars, for people who can take the profanity. It might deserve more than that, but it's hard for me to see past how much better it could have been, if they'd been more faithful in reproducing the characters, especially Angie and Bubba. Maybe someday someone will do the series right, starting at the beginning and using TV to accommodate the full stories. Until then, this is a serviceable take on it.

 

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  Gone Baby Gone

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What our customer's say!

"Honourable", PLOT
An unlikely partnership of private detectives, a young couple, are hired by a dysfunctional family to locate a missing toddler.

REVIEW
Whoever thought Ben Affleck could equal Clint Eastwood as an Actor-turned-director? I certainly didn't. And when it comes to the interpretation of Denis Lehane novels (Eastwood brought Lehane's "Mystic River" to the screen only recently), I'd have to say Affleck just might have bettered his seasoned counterpart.

Lehane's Boston, in all its understated, multi-layered glory, is captured methodically in this complex, frightening, but ultimately uplifting film. The plot is dense and carefully imagined, and the main cast, Casey Affleck, Michelle Monaghan, Ed Harris and Morgan Freeman, ensure the film plays out as a deeply personal, emotional tale.

"Gone Baby Gone" was a real surprise. Even if only one of the many brilliant sequences had made it to the final cut, it would have effortlessly lifted this film out of the quagmire of today's cinematic mediocrity. But, you see, the brilliant sequences role by one after another, after another, and the gestalt effect is memorable.

ELEPHANT STAMPS
Ben Affleck for Directing.
Casey Affleck for Acting.
Ed Harris for Acting.

"The Affleck boys come of age", When 4 year-old Amanda McCready disappears from her bed in the middle of the night, her aunt does what her useless mother won't and engages a pair of private missing persons specialists to find her. They have little experience with this kind of case, but armed with local knowledge, serious courage and a dangerously evolved morality, Patrick Kenzie (Casey Affleck) and his partner in work and love, Angie Gennaro (Michelle Monaghan) accept - and get a lot more than they bargained for. The search for Amanda risks their lives, probes the dark history of the local police department, and threatens to destroy their relationship... The most pleasantly surprising thing about Ben Affleck's directorial debut is how assured it is. It's nicely adapted, slickly shot, cleverly edited, and stokes the requisite tension right from the start. Affleck really knows how to build a tense scene. The performances he extracts from his cast are terrific, especially from kid brother Casey who proves his star turn as Robert Ford last year was no fluke. Michelle Monaghan is engaging as his conflicted partner, and Ed Harris and Morgan Freeman are typically superb (despite faintly ludicrous characterizations). The plot topples over into semi-ridiculousness in Act 3, but by that stage it hardly matters: it's no longer about the story, it's about these characters, the choices they've made and must make now. In that regard, the final scenes are powerfully affecting, notwithstanding the hint of unreality about how we got there.

"strong and gritty--with quite an ending", Gone Baby Gone is an outstanding movie with great actors and a plot that moves along so well and so fast that you are riveted to the edge of your seat the entire length of the film. The actors do a great job with the script and this is a strong showing for director Ben Affleck as his first film that made it to the big screen. The cinematography and the special effects enhance this movie all the more.

When the action starts, we are in Dorchester, Massachusetts outside Boston. Dorchester is a tough neighborhood filled with drug problems and other types of dangerous crime; nevertheless people live there all their lives and develop relationships that truly matter. When four year old Amanda McCready (Madeline O'Brien) goes missing, the police come in fast but they don't have strong leads. The girl's Aunt Bea (Amy Madigan) and her husband Lionel McCready (Titus Welliver) enlist the help of two private detectives, Patrick Kenzie (Casey Affleck) and Angie Gennaro (Michelle Monaghan) to help solve the case. Bea and Lionel believe that Amanda's mother Helene (Amy Ryan) is not able to do enough to help find her daughter because of her emotional problems, not the least of which is that Helene scarcely cares what happens to her daughter. Patrick and Angie get some information from people in the neighborhood although even knowing these people for decades still makes getting any information difficult. Patrick and Angie also come up against Captain Jack Doyle (Morgan Freeman) from the police squad who is not exactly happy to have them around because they're not experienced cops.

The story takes many twists and turns which adds to the suspense; and the ending isn't necessarily clear until we see it in the very final moments of this picture. Along the way you can expect a strong performance from Morgan Freeman; and Amy Ryan steals the show as Amanda's mother Helene McCready, an almost hopeless drug addict who also gets involved in dealing drugs herself. Helene has even taken her child Amanda to a drug deal or two because, as she claims, she just doesn't "have daycare."

I must agree with the reviewers who note that this movie is very much for adults and mature audiences. There is a good deal of profanity and violence. Moreover, guns are whipped around faster than the bullets speeding out of them. Other issues raised include police corruption, child molestation and murder. It's not a Disney movie! However, don't be fooled--this is one strong movie worth owning in your collection.

The DVD comes with extras; the deleted scenes are really the best of them.

Overall, Gone Baby Gone presents us with a complicated thriller type of mystery that highlights the tragedy of child abduction and how it can affect so many people. The ending is good subject matter for debate; therefore for at least this one reason alone you won't forget this movie anytime soon.


"It's OK.", It's OK. Don't put it at the top , or bottom, of your list.

"Awful acting, barely competent directing", First off, if you expect the main protagonist to have any depth whatsoever, please disabuse yourself of this misapprehension before beginning the movie. Casey Afflect cannot act, sorry to say. He mumbles rather than speaks, has only one expression (a slightly bored, slightly cynical, mostly "what the heck am I supposed to do now?"), is way too young for the part, and never, never convincingly shows his motivations or character. Why would anyone be afraid of him, and why would anyone ever confide in him? And how does he seem to know, from school (!??!!!) almost every non-policeman in the movie?

The protagonist's girlfried is a cypher who seems to hang around her boyfriend for no discernable reason, doesn't seem to help him, and, like her man, has only one expression.

On the plus side, Ed Harris is good.

To the movie itself, it is a collection of scenes, not a coherent whole. What motivates the characters is either unsaid, and therefore unguessable, or presented at a sophomoric level. No subtlety at all.

Maybe in trying to film the book the screenwriters wanted to include specific scenes and then tried to tie them together. Since the actors were bad, we can't determine why things happened through either their personalities or actions, but have to depend on the writing. Unfortunately, too much must have been lost in going from book to screen.

In short, a mess.

Avoid.



 
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Read this reviews before You buy...

"Gone Baby Gone review by Brandon", Great, great movie about a missing young child. This movie has a lot of twist and turns. The story is great and makes the viewer think a lot.

"Strong Directing Debut From Ben Affleck", Ben Affleck continues his return to respectability with his directorial debut Gone Baby Gone. Exploring an area he knows quite well, South Boston, Mr. Affleck elicits strong performances from a first rate cast including his brother Casey in the lead role, Morgan Freeman, Michelle Monaghan, Ed Harris, Amy Ryan, Amy Madigan & Titus Welliver. The movie revolves around a missing child search that turns into a kidnapping plot involving police corruption. There is a dark edge to the film with a mix of salty and earthy South Boston characters that add even more gruffness. Although this film didn't receive the Academy Award recognition of another Dennis Lehane adaptation, Mystic River, I found Gone Baby Gone less pretentious and overacted and ultimately more enjoyable.

"Powerful!", This is one of the most powerful movies I've seen in a long time. Watch this movie and refer it to everyone you know. It is very interesting to talk to people about their reactions to this movie. The point of the movie is not about whether you're Irish, your neighborhood, etc. The reviewer who was insulted about the characters' ethnicity TOTALLY missed the point. This reaches much deeper. Check it out!

"Has its flaws, and some big ones, too, but still achieves something near greatness", Ben Affleck's directorial debut, based on a novel by Dennis Lehane, who also wrote Mystic River was pretty good to me. Affleck's direction is more than adequate. I'm sure he's aping Clint Eastwood's film version of Mystic River much of the time, and there's one scene that's way too reminiscent of Se7en, but he shows a lot of skill. He's great at capturing his hometown of Boston and the people who live there.

The story revolves around the investigation of a missing girl. Morgan Freeman and Ed Harris are two of the major investigators for the police. The aunt of the missing girl hires Casey Affleck and his girlfriend, played by Michelle Monaghan, to do private investigation on the side, because they can maybe find some secrets that the girl's mother (Amy Ryan) might be hiding. It's a gripping mystery story, and it arrives at one quite satisfying twist. But then there's another twist. The second big twist is completely brainless, and then the previously excellent film starts to fall. This isn't unlike Mystic River, where, when we finally found out why Tim Robbins has been acting so strange all the time, I just had to slap my forehead. Gone Baby Gone is able to pull itself up a bit from its head-slapping plot revelation in its final moments, but I was still left feeling cheated. I also have to complain that Monaghan, as lovely as she is, adds very little. Would Affleck's character really put his girlfriend in such dangerous situations all the time? I'm sort of glad we're spared the whole cliché chatter where one of the two lovers fears for their significant other's safety, but bringing the beautiful woman into a powerful drug dealer's den sounds like a hostage situation waiting to happen.

Casey Affleck did deliver his second fine performance that year, though it isn't as good as his Robert Ford, which I think might some day be considered iconic. Credit to Affleck's direction that the film can still be considered good after some should-be fatal flaws so I say watch it and see it for yourself.


"Just don't read the book", After I read this book by Dennis Lehane, I went out and rented the movie. I wanted to see how the director portrayed some of the more interesting side characters in the plot. Cheese Olman for one. The book was full of Dennis Lehane's complex portrayals of interesting characters, and the quality of the plot twists were in line with other Dennis Lehane books, such as Mystic River. THAT movie, by the way, was a great adaptation of a great Lehane book.

I was appalled. The characters were so altered that I had no ability to compare these portrayals between the book and the movie. All characters became stereotypes reflecting today's typical scripts. I hope Dennis Lehane had no part in creating the script for this movie - it was dull, shallow, and the language unnecessarily went into the gutter, the characters were mutated to uninteresting ones with no depth. Even the characterization of the 2 main people, Angie and Patrick, made them shallow and dull.

The two most spectacular actors in the movie, Morgan Freeman and Ed Harris, were poorly directed. They had no depth and appeared to just read their lines - they are so much better than that. Amy Madigan was portrayed as a strident, witchy woman, very unlike her character as written.

The book will give you a much better understanding of all the characters. Don't waste your time with the movie.

 
 
 

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