Others say...

"Much better than expected"
3:10 to Yuma (Widescreen Edition)
When I saw the original movie, I was really impressed with Glen Ford's protrayal. But this latest edition is equally well done. The ending was off the chain.

"How the west was won. Not! "
Some may consider this a spoiler for this somewhat farcical western, so you may want to see it before reading this review. However the real spoilers were those who thought they needed to "shmaltz-up" this old western.

It takes a lot of chutzpah to take a classic and think you can hype it up and make it better. The result in this case made it highly improbable, with characters playing with and "fanning" their sixguns. Anyone who has ever fired a handgun knows it's hard enough to hit your target while aiming, let alone fanning, something that is strictly old Hollywood-ish. Then the one "main" villian playing with his sixguns, constantly drawing and reholstering them--another Hollywood improbability. Further, the only way this movie's ending could have been even more absurd is if Crowe's character, Ben Wade, had made a noose and hanged himself. I also felt very sorry for Wade's horse trying to pursue that 3:10 to Yuma without running itself to death. I love westerns. If you want to view behavior that was more likely in those days, see "Lonesome Dove" and "Open Range" for starters. Then take a trip to Tombstone, AZ, and see the realistic reenactment of the OK Corral gunfight, which took about 30 seconds, not minutes, with participants standing so close to one another that they could almost have clubbed each other to death. Further, only fools came to those battles without a weapon already in their hand, as opposed to seeing who could draw and fire fastest. Their goal was staying alive and not showing off to see who was the fastest draw.

Those that thought this mostly hokey movie was realistic should stick to watching the old Roy Rogers and Hopalong Cassidy movies and other contrived "Mother Goose" fairy-tale westerns where almost everyone wore "Buscadero" rigs which didn't exist until developed for 1940s Hollywood Westerns. Further, I don't understand what one reviewer means by "trigger[ing] his gun by thumb"? How awkward it would be to use your thumb on the trigger unless one is trying to shoot themselves--which I almost expected Ben Wade to do at the hilarious end. And, saying "Fanning was mostly for speed...[sic] not accuracy, like cover fire," which is so ridiculous that I had to LOL. Cover fire? Those were SIX-shooters, and the typical gunbelt in those days only had room for another 24-rounds--except maybe those of Andy Devine's girth. It's not like they are using modern M-4 assault refles with several 30-round magazines.

If you read up on history of the American West, you will find that those who were successful (i.e., survived) relied on accuracy not speed. Or maybe you'd like TV's "Heroes"-like Westerns with the cowboys wearing capes and flying rather than riding horses. If you like fairy-tales, better stick with Mother Goose. BTW, sixguns used for fanning by tricksters must have modified sears inasmuch as anyone who knows anything about single-action revolvers (such as the Colt Single Action Army) knows that fanning can cause the sear to break rendering the weapon as useless as those who think fanning is effective for providing covering fire. When all the ammo you have is 24 rounds, you can't provide a lot of covering fire unless you also have a Gattling gun at your disposal and a crew to reload the magazines. In addition, those who carried two handguns (which was rare) did not fire both at once as that couldn't be done with any degree of accuracy (except perhaps by reviewer M. Edgar). They did so because it lessened the chance of having to reload at some critical moment if they carried only one gun and were poor marksmen.

Reviewer Mercer, who takes no umbrage with improbablity, would have loved all the old John Wayne war movies (such as "Sands of Iwo Jima") in which, as USMC SGT Fran Striker, he carried an M1 rifle that he was never seen reloading, and which would have been impossible anyway as he never had any ammo pouches or carried any bandoliers which was not uncommon in the old war movies.

"Wonderful movie!"
I loved it. Russell Crowe and Christian Bale are fabulous. I watched this with my husband one evening after the kids were in bed, and I stayed awake for the whole thing (I'm notorious for falling asleep once a movie begins)! It kept my attention from beginning to end. Great flick.

"Probably the most event-filled trip to the train station you'll ever experience"
I'm not huge on westerns, but I eventually get around to 'em if word of mouth is good on this title or that. And I heard good things about "3:10 to Yuma". Also pulling me in was all the talent both in front of and behind the camera. So was it good? Yep.

Excellent scenery, excellent action (of both the realistic and "big summer movie" overblown-but-fun variety), and excellent characterizations make this one a must-see. Simple as that. Other reviews will give you more, but really, that's all you need to know. Better to go into "3:10 to Yuma" without knowing every little thing about every little aspect of it.

Director James Mangold makes me smile, though. He hates to send you out of the theater on a downer note (see "Cop Land", where he restores the deaf sheriff's hearing in the final moments). So, although it seems in the final minute that one of the characters has learned something during the course of the movie and- a grim look on his face- will now accept his deserved fate, in the final five SECONDS of the film we essentially get a joke with a horse that thoroughly undoes that mood and sends the audience out with a chuckle. Oh, well- the implications of that final, final ending are actually kind of grim, too (with the movie cynically observing that a dog can't change his spots), so I guess technically I can't complain that the closing moments aren't in tune with the grimmess preceding it. And, make no mistake, "3:10 to Yuma" is pretty grim overall. But like the best westerns, the grim tone doesn't bring it down, but informs, complicates, and enriches the movie.

My standard DVD of "3:10 to Yuma" featured an excellent widescreen image and a glorious sound palette. A handful of extras, concerning the movie itself and the period of history it covers, provided an hour or so of interesting viewing after the movie was over.

So, don't hesitate to buy your ticket and catch the ol' 3:10 to Yuma. Just make sure you're ready to duck, 'cause the bullets will definitely be flyin'.

"3:10 to Failure"
Thank God they can't erase the original movie from my mind with this one.
A very poor attempt to duplicate a TRUE WESTERN CLASSIC ! They butchered the original story line and added way too much garb. This will make you want to see the original with Glenn Ford and Van Heflin and appreciate it even more.

I had HIGH HOPES for this movie when I heard it was coming out. Too much HOLLYWOOD BS ruined this classic for the remake. The original classical music was missing as well. I will not be adding this to my western collection.

 

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  3:10 To Yuma

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"Loved this western ", I loved the combination of bale and crowe and they both played great characters. I would recommend this to everyone!

"Very Underrated Movie ", 3:10 to Yuma is a great update to the classic movie with Glen Ford. It stars Christian Bale as Dan Evans, a Civil War vet that's trying to farm his land with one leg and no water. He volunteers to escort a bandit named Ben Wade, played wonderfully by Russell Crowe, across Arizona and make sure he gets put on the 3:10 prison train to Yuma.

While that basic set up doesn't seem like it necessarily would make a great movie, the writing makes up for what looks like it could be a bare bones plot. Along the way Wade's gang catches up to Evans and the other members of the posse, leading to some extremely great chase scenes with plenty of violence. What makes this movie though is the change in Wade throughout the movie and the interplay between Crowe and Bale.

The Blu Ray transfer of this movie is fantastic. The scenery is incredible. I can't comment on the sound though because I lack a surround sound system.

"great acting, horrible plot, story and sequencing, very boring, no Tombstone!", movie never gets going. even the last shoot out, which I was hoping would redeem the horrible story was very poorly directed. SPOILER: How long does christian bale stand with his back to the gun fight before getting shot? Ridiculous, who would do that? Crowe and Bale put on great performances, movie was just horrible though.

"Awesome movie", I never thought Russell Crowe would be able to pull off a western film after Gladiator, but I must admit he was fantastic in this movie. Christian Bale portrayed a wonderful character and both Crowe and Bale pulls you into the movie. This movie is a fine example that westerns can still be good movies and I think Hollywood should make more of them. Cheers to Crowe and Bale on a stellar performance.

"An action remake of a dramatic western", In my opinion The 3:10 to Yuma is better than the original version of the movie. Christian Bale is great as the determined homesteader. Russell Crowe appropriately downplays and humanizes the desparado. This movie is not for the faint of heart. There is a lot of violence and action in the modern version.



 
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"A remake that matches the original", It is rare, in my opinion as an old movie lover, that a remake will match or even exceed expectations. This is one of those exceptions. The plot follows the original just closely enough to please the old crowd yet adds twists enough to please the new. It is more than just a remake, it adds more excitement and tension of the old western good-vs-evil motif. Is the outlaw all bad or is there a seed of good deep down inside? Both Crowe and Bale provide exceptional performances of two men on a quest to redemption. One would have liked a little more character development perhaps - such as Crowe's character and the significance of the crucifix on his revolver handles. However, the depth and passion of the portrayal gives such intensity that we are still drawn in to the story. A wonderful retelling of an old west classic.

"Intelligent western", Never saw the original, but this remake is very fine viewing pleasure. Intelligent script, and, although there's a lot of blood and gratuitous violence, it seems to be necessary to the story line. The ending run to the train station by Russell Crowe and Christian Bale is the only section that goes over the line toward unbelievability. I mean, dozens of shooters keep missing and missing. Right! It leaves you almost laughing, which is not the desired reaction. Otherwise, Peter Fonda has a nice turn as the Pinkerton man. A lot of suspense here. Worth watching.

"Spectacular", Modern day westerns don't usually get much better than James Mangold's remake of 3:10 to Yuma, which manages to mix the perfect amount of suspense, action, and philosophy. Russell Crowe stars as murderous outlaw Ben Wade, who is sought to be punished for his crimes and delivered to prison by broke rancher Dan Evans (Christian Bale) and a small group of others. Wade's gang is naturally on their trail, and for a majority of its two hour running time, 3:10 to Yuma manages to entertain and impress. What's most impressive however is the surprising performance of Ben Foster as Wade's top man Charlie. In a film featuring two powerhouse actors like Crowe and Bale, Foster manages to turn in a dynamite performance. There's also smaller roles for Peter Fonda, Alan Tudyk, Gretchen Mol, and Kevin Durand; but it's Crowe and Bale's show all the way. All in all, 3:10 to Yuma is a spectacular blast that re-affirms my faith in the western genre getting proper justice paid to it in the 21st century, and if you're a fan of the genre or are just a fan of Bale and/or Crowe, this is wholeheartedly recommended.

"A Nice Try", My take on this movie is that some very good performances were devalued by the special effects people sitting in front of computer screens. A tense psychological cat and mouse game begins with the capture of Russell Crowe who plays notorious outlaw Ben Wade. A simple rancher Dan Evans, played by Christian Bale, volunteers to escort Wade to the train to Yuma prison in order to earn badly needed money for his rain-parched ranch.

This is a remake of the 1957 release of the same name starring Glenn Ford as Ben Wade and Van Heflin as Dan Evans. Russell Crowe does his usual outstanding job. Crowe is as excellent as a charming cowboy psychopath as he is as master and commander of a ship, a fearless gladiator, or a police thug turned noble. Ben Foster is perfectly cast as Billy Prince, Wade's wild-eyed loyal to the death sidekick. If you saw a fellow with his demeanor on a city street today you would be inclined to cross to the other side.

It is unfortunate that the makers of the film decided to go with special effects action to the detriment of the psychological in this movie. Action and psychology are not mutually exclusive but they are out of balance in this movie. The earlier version is incredible enough as Van Heflin shoots his way to the train with Ford in tow. Putting Christian Bale's character on a peg leg goes beyond one's willingness to suspend disbelief. The firepower depicted in this version is enough to invade Iraq again.

This version runs one-half hour longer than the 1957 edition in order to accommodate all of the extra violence. There is a scene that was added to this version and not present in the earlier Glenn Ford version. Crowe kills three Indians. Though the script tries to justify the scene by having them take a short cut through dangerous "Indian territory" it is obviously not justifiable since Indians are never seen or discussed again.

"The Unforgiven", the best of the modern cowboy genre, did not need as many (if any) computer-driven effects to tell a good tale of the old West. With such an excellent cast neither did "3:10 to Yuma". Nice try, but computer gimmicks should always be subordinated to good performances.


"Best Since Unforgiven", This is the best Western since Unforgiven, and perhaps better. Top work bu Bale and Crowe

 
 
 

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