Others say...

"A truly enjoyable masterpiece..."
Mistaken by a couple of hired thugs for an international spy and innocent in the murder of a diplomat, Cary Grant (armed only with undeniable charms and seductive shape) flees across the most audacious places of the United States, pursued by appropriately menacing villains (led by suave cold-hearted head James Mason and his henchman young Martin Landau) and shadowed by government agents... Somewhere in between is the sophisticated, glamorous and mysterious femme fatale Eve Kendall (Eva Marie Saint), whose unpredictable devotions tremble between the extremes of good and evil...

Will Grant slip away from his would-be killers? Does he clear his name after falsely being accused?

Directed by a genius behind the camera and a "master of suspense," and featuring intrigue, comedy, romance, and danger--the crime at the U.N., the lethal crop duster attack in the middle of nowhere, Grant's unusually good exhibition at a Chicago auction, the sequence at an automobile plant, and the impressive climactic hunt across the Presidential faces carved into Mount Rushmore--Hitchcock celebrated his golden effort with his fourth and final masterpiece after 1954's Rear Window, 1958's Vertigo, and 1960's Psycho.



"The Greatest Hitchcock Movie and the Greatest Cary Grant Movie"
Easily the best Hitchcock or Cary Grant movie ever made--filled with suspense and comedy throughout. It works as well today as it did almost 50 years ago and doesn't seem dated. This movie can be watched over and over again with great pleasure. By now you know the classic cropduster scenes and Mt. Rushmore scene, but there are other great parts of the film as well. Other than it maybe being a bit long during the love scenes, this movie is picture perfect.

It's one of my top five movies of all time.

"Can't Believe I'm Just Now Viewing This"
I've avoided this movie for years. I don't really know why, but what a mistake! The storyline may seem tired by today's standards because we've all seen it before. However, the acting, the lines, and the photography are outstanding... especially the photography!! There were some scenes such as as when Grant and the traveler are waiting on the bus to arrive that are just breathtaking.

"Hitchcock and Grant!!"
Cary Grant has to be the quintessential Hitchcock male (if Grace Kelly is his blonde)! So suave and charismatic, he is just splendid as the playboy who is mistaken for a government agent. This mistaken identity (a favorite plot point for Hitch) leads Cary Grant on a cross country journey that culminates in one of the most unforgettable cinematic scenes at Mt. Rushmore.

Eva Marie Saint is splendid as the double agent helping and bumbling Grant along the way.

This is a truly great film: filled with comedy and mayhem, as well as murder and political intrigue. Anyone could fall in love with this movie.

"Extremely Enjoyable and My 2nd Favourite Hitchcock Film!"
I'm not sure about why the more recent reviewers are having so much trouble with their dvds and I can only assume that the recent batch out of the factory has got major product quality issues as my copy works just fine albeit I bought mine at least a couple of years ago. The Dolby Digital 5.1 Surround sound quality as well as the picture quality of my dvd is excellent too.

People have to recognise that most of Hitch's films combine elements of humour together with suspense and thrills and what makes this film great is the nice balance of these that's apparent. The witty dialogue and snappy one-liner jokes delivered by the brilliant Cary Grant still hold up well today. The Kafka-esque storyline is meant to be so outrageous as to be funny and if taken in that spirit many of the scenes are very entertaining indeed. The ludicrousness of trying to kill "George Kaplan" by filling him with alcohol and then helping him drive off a mountain's edge, being chased by a crop-duster in the middle of nowhere, etc make fans of Kafka's works like "The Trial" and "Metamorphosis" who can appreciate the genre truly appreciate and enjoy this film masterpiece.

Granted some of the scenes do not make much logical sense such as when Eve Kendell talks to Martin Landau's character from a phone booth while he is doing so from another phone in the same line of booths and the strange way the crop duster slams into the oil tanker but that's just the point with Kafka-esques situations in that they are supposed to be ridiculous. Despite these screenplay "shortcomings" the acting is very good and I liked the camera angles very much for an overall very good film. Great combination of humour, thrills and spills, tension and drama makes this a classic film for the ages.

Highly recommended!

 

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  North By Northwest

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What our customer's say!

"now this is entertainment!", It's the story of a man, who through a series of misunderstandings and coincidences becomes a victim of a spy and espionage set-up. When you first watch North By Northwest you may think, it's a very entertaining movie and nothing beyond that. Actually it is an extremely entertaining story and nothing beyond that. And it is one of the greatest examples of the genius of Hitchcock! He's the only director I know who could take a story as trivial and create such a mood of place and character, that every scene is successful in tone, mood and creative scene development. I feel like I've been put in a slight hypnotic state every time I see it. It is the bible of narrative for the action and spy genre. And I believe set the tone for the Bond films, which have never equalled it!

"Cary Grant goes to Mount Rushmore--not just for the sight-seeing!!", XXXXX

Movie`s hero: "My wives divorced me."
Movie's heroine: "Why?"
Hero: "They said I lived too dull a life."

The above dialogue is found near the end of this classic suspense movie that is even today unparalleled in producing an optimal combination of plot, humour, action, mystery, and intrigue without resorting to clichés. It was directed by "The Master of Suspense," the great Alfred Hitchcock.

Look for Hitchcock's characteristic brief cameo appearance after the opening credits. Some say that there is a second cameo.

Briefly, our hero in this movie, mid-mannered advertising executive Roger Thornhill (Cary Grant), is plunged into the bizarre world of spy (James Mason), counterspy (the heroine in this movie played by Eva Marie Saint), is kidnapped, framed for murder, chased, and even crop-dusted. I should also mention that he "visits" Mount Rushmore and gets up-close to the faces of former U.S. presidents (Washington, Jefferson, Roosevelt, and Lincoln) carved on the mountain.

The debonair Cary Grant effectively carries this movie. (This was Grants fourth and final teaming with Hitchcock.) Kudos must also go to the terrific supporting cast of Eva Marie Saint, James Mason, Martin Landau (who plays the spy's main henchman), Jesse Royce Landis (who plays Thornhill's mother where in real-life Landis was only eight years older than Grant) and Leo G. Carroll (who plays the head of the C.I.A.).

Another key ingredient of this movie is its background music. This fantastic orchestral score was composed by Bernard Herrmann. It effectively adds to each scene.

Where does the movie's title come from? There are actually many theories for its origin. Personally, I think it comes from the fact that as the movie proceeds, Thornhill travels north on Northwest Airlines. (One of the original titles for this movie was "The Man in Lincoln's Nose.")

Finally, the DVD (the one released in 2004) is perfect in picture and sound quality. It has eight interesting extras.

In conclusion, this is one of those movie gems that, in my opinion, deserves to be called a "classic." Roger Thornhill's ex-wives were wrong. He definitely does not have a dull life!!

Recommendation: watch this movie on as large of a screen as possible.

(1959; 2 hr, 15 min; wide screen; 46 scenes; colour)

<>

XXXXX


"Good thriller", The addition of pretense can be a killer in a film. It is precisely the lack of such a quality that makes Alfred Hitchcock's two and a quarter hour long 1959 color thriller North By Northwest a better and more enjoyable film than his preceding film, Vertigo, even if the film comes nowhere near the excellence of his following film, Psycho. Whereas the two films that end in -o attempt to impose a deeper psychology into their screenplays, North By Northwest is a popcorn eaters gala pre-James Bondian Cold War thriller. It's no wonder the film was a popular smash while Vertigo was a financial flop.
On a strictly logical level, little of the film makes much sense, but it's Hitchcock, after all. As example, what is contained on the microfilm that is the film's MacGuffin- inside the statuette, is meaningless and beside the point- which is action and thrills. That there is no logical reason for Cary Grant's character, Roger Thornhill- another Hitchcockian wrongly accused man, a Madison Avenue advertising executive, to be mistaken for the non-existent spy George Kaplan, is another problem. Yet, even though it is done in a rather unconvincing fashion- Thornhill summons a hotel attendant who is paging Kaplan, and the chase is on- few people will debate cause and effect in a film like this. The dopey bad guys see this brief moment and assume everything- a perfect example of the dumbest possible action propelling the plot, which is usually an artistic killer. However, on the plus side, this is one of Cary Grant's best and Cary Grantiest roles. He is charming, delightful, suave, and the fact that he never seems to get a hair out of place in assorted acts of derring-do, even when chased and dusted by that crop duster, in one of the film's most famed scenes, is not a problem, unless one just cannot let the formula silliness wash over them.
On the negative side is the performance of Eva Marie Saint, as Eve Kendall- the lover/counterspy of James Mason's Soviet mole character, Phillip Vandamm. Saint is stiff and wooden, and even less convincing as a romantic lead than many of the other icy blonds that inhabit the Hitchcock universe. Yes, she's beautiful; second perhaps only to Grace Kelly in the Hitchcockian blond goddess pantheon, but she has absolutely no chemistry with Grant.... Technically, the film holds up much better than many of Hitchcock's other efforts, for the process screens are not always readily detectable, as they are in other of his films- save for the scene where Thornhill does not drive his car off a cliff that the bad guys want him to, and the sets constructed for some of the big chase scenes- especially the Mount Rushmore set, are fabulous, even by modern standards. While the cinematography by Robert Burks is solid, there are no eyepopping moments, and the score by Bernard Herrmann is one of his least memorable, especially considering what was just around the corner in Psycho.
North By Northwest, whose title is both manifest- given the film's final setting, and obscure and of unknown provenance- although oddly linked to a supposed quote from William Shakespeare's Hamlet, is not a great film, but it is a terrific movie, and because it is such utter and unrepentant fluff it holds up much better than many other 1950s vintage films, including many of Hitchcock's own overrated `masterpieces', such as Rear Window and Vertigo. Yes, if you are the type who must go over everything with even a coarse toothcomb, the film simply will not work, but if you trust that the fun will leave your mind as unmussed as Cary Grant's coiffure, then watch it. After all, the perfect hair of Cary Grant is never something to be diminished.


"Is this Roger Thornhill or Bond, James Bond?", This 1959 Alfred Hitchcock film was the fourth and last "spy" film that he did with Cary Grant. The others are Suspicion (1941), Notorious (1946), and To Catch a Thief (1955).

I realize that Hitchcock was a close friend of Albert Broccoli (James Bond films)and Cary Grant was the original pick by Albert Broccoli to play James Bond, but the character in this film, Roger Thornhill, reminded so much of James Bond, that I had a hard time trying to convince myself that this isn't a "Bond" film. I realize that Dr. No (the first Bond film) came out in 1962. BUT, was Bond's film character patterned on this wonderful movie? The resemblance is so great, Thornhill even had a martini!

Briefly, Roger Thornhill (Cary Grant) is mistaken for a U.S. undercover agent, abducted, framed for murder, nobody believes his story so he's on the run. He meets a counter spy (Eva Marie Saint) and has one of the longest on-screen kisses with her.

This movie has so many great scenes. Among them are the stabbing at the United Nations (where Thornhill was framed for murder), A crop dusting plane that attacked our running hero (which incidently was the influence for the helicopter scene in From Russia With Love---again, Bond) and the great chase around the presidents' faces at Mt. Rushmore.

This film also starred James Mason and Martin Landau.

This is one cinema masterpiece! Watch and enjoy, especially if you like James Bond films, but remember it's not...

"Slow start, but a great movie...", I had a hard time understanding the whole plot of this story. Apparently, Cary Grant's character is mistaken for a spy and kidnapped by James Mason's character and his gang. But this "spy" doesn't even exist, and it's up to Grant to survive and get these guys. He gets chased by a crop duster, gets mistaken for a murderer when the man beside him at the United Nations gets stabbed, and goes across Mt. Rushmore with Eva Marie Saint's character, who plays a spy and his eventual ladylove. This is full of suspense, despite its slow start. All actors play their parts well, and look for the usual Hitchcock cameo somewhere in the movie.



 
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Read this reviews before You buy...

"Odd woman out", While I agree that this is a very sleek looking film and there is something appealing about being mistaken for a spy-I really felt as if the plot is nothing more than a series on convenient incidences. I'm sure that this was cutting edge material for a film in 1959, it just strikes me as silly now. But from the silly idea of let's liquor him up and drive him off a cliff to a crop dusting plane plowing into gas truck, I honestly couldn't stop rolling my eyes to the back of my head. And I absolutely wasn't feeling the abrupt ending. I love you Hitchcock and Cary Grant, but this one wasn't for me.

"North By Northwest", I love the movie, it deserves five stars, but the DVD was damaged, so I had to return it. I am waiting for a new copy to be sent to me. (I shipped back the damaged version.)

Lisa Willis

"Bad Deal", When I tried to watch this DVD, once it got to about half way through, it began to skip badly. It never got past the skip and I was not able to watch the movie until the end. I took the DVD out of the player and saw that it had a big scratch in it. I knew it was used when I bought it, but I guess I had hoped I would be able to actually watch the movie. I'm going to try and run it through a scratch repair machine. If that doesn't fix it, I guess I'll have to send it back.

"DO NOT BUY THIS RELEASE", While North By Northwest is supposedly a fantastic film, I would not know.

You see, I have purchased and returned three copies of the exact DVD being sold above.

All of them manage to play right up until the climax, and then they stop working entirely, pixilating and skipping to death.

Seeing as this has happened with all three... I can only assume there is a problem with this batch.

To avoid such heartbreak yourself, simply wait until the inevitable super-deluxe edition comes out; or, if you're desperate, rent the video.

"Just Buy It", All you need to know is that this is one of the most clever and entertaining films ever made. Just buy it.

 
 
 

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