Others say...

"MOONSTRUCK"
this was a treat for myself, as I have owned the VHS version for years. For anyone that's never seen it, it is simply one of the best movies ever. Cher is stupendous, Cage equally so, and the chemistry between them wonderful. The glimpses of family life and the dialogue seem so true to life, mainly because of the very fine acting ensemble. And how can one beat the music of Puccini?

"Tutto Dorma/Jay David Saks Sucks!"
Domingo, Marton, Mitchell, Plishka, and Ping- Pang- and Pong are wonderful. Zeffirelli created a masterful set and beautiful costumes. The orchestra, chorus, and James Levine are top-class as usual.

So why the one star and the title: Tutto Dorma/ Jay David Saks SUCKS?
Opera is an all encompassing audio-visual art form. Sound balance is critical. As the audio producer, Saks must have been asleep while recording the audio portion of this DVD. How else can you explain the awful sound imbalance? All singers are constantly overpowered by the orchestra: the principals sound as though they are singing in a cave a mile deep inside while the recording microphone is placed in the midst of a pile of bat guano at the entrance just adjacent to the orchestra. Time to wake up and tinker with your audio-control panel Mr. Saks...and shame to DG for allowing the release of this DVD before such correction.

Additionally, Kirk Browning the video director must have been short of funds when hiring his camera crew. From the looks of things, he must have hired a crew of 3 year olds who had never handled a camera prior to this occasion: the focus either constantly shifts from close-ups to pan-outs at random intervals without attention to the action or to side shots of no particular interest or connection to the action on stage.
And, of course, he too must have been a 'dorma' while directing the visuals-- otherwise, in good conscience how would he have allowed such "visuals".

Two other less significant quibbles:
The first- also, in part, relates to the camera operators: a lot of the action is partly obstructed by the throng of supernumeraries sitting at the apron of the stage during a significant portion of the opera; was this really necessary Mr. Zefirelli--- and if so, why couldn't the camera shoot over their heads allowing an otherwise unobstructed view of the stage?
The second- the stage was very dark ( i.e. lack of lighting) during much of the first Act and a significant portion of the second Act.

Again: opera is an audio-visual art. With crappy sound and poor visuals the enjoyment factor is markedly lessened for the viewing audience. Shame on DG for releasing this otherwise excellent Turandot.

"Turandot is Wonderful!"
Wow! Before I purchased this dvd, my experience with Turandot was "Nessun Dorma" by Pavarotti. When I saw the Domingo/Marton Met Opera version, I found a clip on YouTube and loved it. I heard this on surround sound, and it was quite overwhelming. Just a joy to see and hear-I have heard criticisms of both Domingo and Marton, but I couldn't find a single note to complain about!

BUY THIS!!!!!

"Horrible"
This was a terrible production of a wonderful opera. I was horrified to see what a mess the Met had made of it and poor Placido Domingo! Despite his magnificence, the production was nauseating. Don't waste your time. The production conducted by Zubin Mehta and directed by Zhang Yimou was wonderful. Granted, Sergej Larin is no Domingo, but he does a fine job (despite the fact that he's shorter than Giovanna Casolla, the Princess Turandot lol). What can I say, the Met production was a freak show and the one filmed at the Forbidden City of Beijing was beautiful. I felt cleansed after sitting through that Met trash!

"Beautiful production of Turandot at the Met"
I bought this DVD because Turandot is my favorite opera and I was not disappointed. The production at the Met is outstanding - the costumes and sets are gorgeous, and the singing is exquisite, especially Mitchell as Liu. Her singing absolutely brought me to tears! I know I will be watching and rewatching it for many years to come.

 

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  Puccini - Turandot / Franco Zeffirelli - Marton, Domingo, Mitchell, Plishka, Cuenod - James Levine, MET (1988)

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What our customer's say!

"Bring back the1960's", Where's Cecil Beaton when you need him. When you have the greatest singers of the last half of the 20th century, Nilsson and Corelli, you don't need all this excess! The Met has toned this production down shortly after this broadcast. This production is so busy I hardly even noticed the singing. You'll find every thing you need on the stage but a basket ball court.

"Awesome", I was a little reluctant to purchase such a popular title; however, I was not disappointed because the costumes and performances were wonderful. I found myself clapping from my living room when watching.

"Trunadot", The CD recently bought it's of poor quality. It skips more than once several times during play.

"From the depths of my heart!!!!", I hate Zefirelli, he is extremely kitsch to my taste. I hate MET productions because I think they are usually too conventional to my taste. Then, why I am giving to this Turandot 5 stars? Well I do not have a rational answer to that question. I have to confess that these 5 stars come from the depths of my heart and have nothing to do with my brains. I really love Turandot, I think this is Puccini at his best, moving dangerously close to that thin line that separates the sublime from the bad taste, but always moving on the sublime side. Therefore you need an extremely intelligent stage director that would avoid crossing that line to the kitch side. Curiosly Zefirelli succeed doing that!!!! I never thougth that Zefirelli was that inteligent!!! I love Placido Domingo, I think he enhances every opera in which he sings and this Turandot is not an exception. I always have serious difficulties following the line of Turandot's parts and hate that particular spinto way of singing used by most sopranos that sing this role. However Eva Marton does an extraordinary job here. Indeed she instills some sweetness into this rather cold role. The scene of the three riddles in the second act is impecable. The acting of both, Marton and Domingo, is legendary to say the less. You feel the tension and the anguish of the characters on stage. Liona Mitchell is beautiful and delicate in her impersonation of Liu. The scene of her death in the third act is particularly moving. The action all through the opera goes fast paced thanks to the phenomenal singers/actors, the stage director and James Levine great (as always) musical direction. Fully recommended. This is a completely unbiased appreciation of this wonderful opera and production since I watched it, in the first place, with the sick intention of critizicing it badly.

"Turandot at the Met", I was looking forward to Turandot at the Met with Domingo! Disappointment often follows anticipation. The set was truly outstanding, the grandeur of the era was displayed. This performance is over 20 years old; Domingo was in his prime - a tenor hunk! But the magic, the chemistry between him and Marton was lacking. The one who stole the show was Liu - Leona Mitchell. A voice of an angel, innocent and full of emotion. The entire opera lacked believability. The story itself is unbelievable, so it takes a master director to make the audience be transported to China to witness this love story. It was the first time I have even seen Calaf sing Nessum Dorma seated! He looked very uncomfortable. Marton was truly an ice goddess but even when she realized then end result, she was cold. This was also reflected in her voice.



 
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Read this reviews before You buy...

"Beautiful setting and very even casting, with a fabulous male trio in support.", Generally I loath these western stage productions with a Chinese background, but this MET production of Turandot may well be an exception. The sets are beautifully done and finished, very detailed and even refined in certain places. For a Western production one really should not ask for more.
Eva Marton as Turandot and Placido Domingo as Calaf both sang as they should, and no more. Marton is sufficiently cold and aloof as the title role princess, and Domingo in fine vocal condition, with perhaps the exception of the famous aria Nessun Dorma. Leonie Mitchell is convincing as Liu both vocally and visually. The biggest bonus, however, comes from the male trio Ping, Pang and Pong. Their excerpt in the second Act is actually the pointer to the theme of the story, and usually in Chinese literature this type of pointer is of fundamental importance. The producer rightly places adequate emphases on this scene, and the three singers really performed marvellously both in terms of singing and acting.
The only slight dramatic flaw in this production is the lack of significant high light for the change of heart of Turandot after the death of Liu. Marton could have acted more effectively, but she left most the changes to be brought out by the libretto alone.
The music, however, really could not be bettered under James Levine's firm conducting. Generally speaking, this is a very entertaining production of a famous Pucini work.

"Superb Production - Superb Performances", The Zeffirelli production was absolutely breathtaking in its detail: lighting, costumes and staging were truly inspiring. The performances of the entire cast were top notch from the smallest role to the largest. All voices were in wonderful form and focused beautifully. This is a production to treasure for generations!

"Puccini knocks them dead", This is one of the most spectacular opera productions ever, and it is done very well. Eva Marton was hard to beat as Turandot. Placido Domingo was in fine voice. Leona Mitchell does Liu with grace and dignity. The Met Orchestra under James Levine is always a treat. An added attraction: Hugues Cuenod making his Met debut at age 85 as the old emperor. He is now 105 and "still going strong." Franco Zeffirelli's scenery and costumes dazzle.

Whatever one's opinion on the ending, after the meddling by Toscanini and others, Alfano's version is what we are used to, and he does use Puccini's themes effectively.

If you can watch Act I and then walk away, opera is not for you.

"Great", DVD comes in several languages - great for singers who want to practice their skills in german/italian/french. Great production, awesome singers. Levine is wonderful and the orchestra is perfect...

"Wonderful Opera", The sets are magnificent -- saw it at the Met and now i have it preserved for me to see over and over again.

 
 
 

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