Others say...

"When three suns align"
Whenever you think of Jim Henson's Muppets, the fuzzy kooky variety shows and entertaining adventures of Miss Piggy, Gonzo and Kermit the Frog come to mind.

But these versatile puppets have been used for far more dramatic effects in "The Dark Crystal," an exquisite little fantasy story that happens to be entirely populated by puppets. Not a live person in sight, from start to finish. Henson and Brian Froud conjured up a gloriously detailed world -- full of fantastical flora and fauna, crystalline castles and strange creatures -- and wrapped it around a solid coming-of-age story.

On another world, there are two strange races that appeared one thouysand years ago -- the enormous, gentle, peaceful Mystics, and the nasty, vulture-like, vicious Skekses who ruin the surrounding lands. Both races are somehow connected to a massive crystal that was broken a thousand years ago, and now a shard is missing from it. What's more, three suns are about to come into conjunction, and the shard has to be back in place when that happens.

The Mystics have cared for one of the last Gelflings, an orphan named Jen whom they rescued from the insectile Garthim. As the conjunction approaches, they send him out to find the lost shard. Along the way, Jen gains the crystal shard for himself, and meets the only other living Gelfling, Kira. Now they must both evade the Skekses' Garthim henchmen and bat-winged spies, and somehow infiltrate their castle. But what will happen when the suns line up, and the crystal is completed?

Many fantasy movies slap together a story that has been told many times before, but increasingly without interest -- throw in swords, some monsters, a brave prince or farm boy, and some evil witch/queen/wizard/Dark Lord. But fortunately nothing is so simple in "The Dark Crystal" -- although the origins of the Skekses and Mystics are pretty obvious from the very start of the movie, the journey along with Jen is what really makes this interesting.

Instead of some pan-medieval land, "The Dark Crystal" aims at portraying a truly alien world, and Brian Froud's slightly weird designs make it seem so -- strange swamp reptiles, colorful anemones, vast crystalline castles, desiccated vulture-like creature, shrieking fuzzballs, and gorgeous forests full of strange plants and animals that tend to move and act in unique ways. "The Dark Crystal" leaves you feeling like you've been transported to some other planet.

Additionally, this film also has the honor of being the first major movie to entirely star puppets, with nary a human being in sight -- some of those puppets still walk in a herky-jerky Muppet manner, but their design is utterly detailed and believable, from Jen's sort-of-human, fawnlike features to the vast four-armed Mystics, and the rattling armored Garthim soldiers. And the special effects end up being pretty spectacular, especially during the chaotic literally earthshattering climax -- while the finale is rather predictable, it is no less awe-inspiring for that.

At times it feels like the characterization gets a backseat to the movie's visuals, but Jen and fellow Gelfling orphan Kira are fairly likable, naive young heroes who develop a cute little romance throughout the story. The various Skekses are given individual quirks and personalities (such as the annoying Chamberlain who won't stop humming). Not to mention the abrasive, lumpy witch Aughra, who's an absolute riot ("Whole world might burn up... hmph... end of Augra!") and Kira's toothy fuzzball Fizzgig.

"The Dark Crystal" has some predictable plot twists, but it is also a glorious visual feast and a coming-of-age journey with the Gelflings, leading to a finale both awe-inspiring and bittersweet. Definitely a must-see.

"Would have worked better as a cartoon"
The Dark Cyrstal opens up with a fairly good start. By the serious and profound voice of the narrator you'll be thinking that this is going to be good. But as the film rolls on its many flaws and weaknesses begin to show through.
Jim Henson is talented and it's amazing the different kinds of puppetry and animatronics he blends together to create this other world, but I'm sorry to say it just isn't good enough. The mystics movements are so slow that it's a wonder they make it to the Skeksis castle even by the end of the film! I know they're old but come on! Then theirs our hero the gelfling. It's impossible for him to evoke any sympathy or emotion from the viewer because since he's a puppet he's not capable of facial expressions! The only way we know that he is sad or happy is by his voice. The puppet even with that still seems lifeless.
Another problem is the story. Though we are told that the Skesis are corrupt wizards and the mystics good wizards, we NEVER see ANY wizardry from either of them whatsoever. If you are hoping for a great wizard finale, look elsewhere. They don't ever cast any spells; they don't ever have magic objects with them or concoct amazing potions; they're just there really.
Again with the puppetry. There is a scene where the Skesis' Garthim come barging into the ugly wise old woman's laboratory to get the gelfling. This was intented to be an exciting sequence. The gelfling just misses a Garthim's clutches before he gets on the old hag's rotating planet thingy, but because of the cheap, crude, silly movements of the character it looks too fake and lackluster.
This film would have worked so much better if it was animated by some talented artists. Having more believable and smoother movments from the characters, facial expressions, and beautiful artwork and scenery would have turned this sad yarn into what it was intended to be: an enjoyable fantasy epic.
Also a pet peeve of mines is the chamberlain Skesis. Oh my Lord! Give me a ax to hack that thing with! I know Jim Henson is trying to give individuality to his characters; give them certain traits to make them memorable and distinct from the others, but come on! All his stupid whining and 'Hmmmmmm..." sounds happened pratically every time he comes in the scene.
You can't say that I'm juding this film unjustly because I am an adult. You can't say that if I was a child then I wouldn't have noticed these things and would have enjoyed it. Sorry wrong. I hated this film as a child and still do. I thought that now that I am older and more open minded about things I used to dislike that I might care for this. Nope. Still stupid. Still sucks.
You want a good fantasy? See the Neverending story, Willow, Castle in the Sky, The Secret of Nimh, or even Henson's Labyrinth. They all work much better and are better films.

"Great classic"
After watching this movie many times I wanted to have it on DVD. I was debating if I should get this version or the Limited Edition, but I read through another review that the limited edition didn't offer many extras, and for the price isn't worth it. This DVD is great, and at a cheap price, a must have for fans of this classic movie. Also there is a sequel coming out in a few years so it's a great time to refresh yourself on the world of the Dark Crystal.

"LOTR fan? Watch this movie"
This movie is one of my all time favorites. Henson's masterpiece. It's inventive, its interesting, engaging and the world is quite wonderful. There are lessons learned and many parallels between the world Henson created and our own. It's a wonderful fantasty film that really breathes a life all its own. It's also a film that can be enjoyed by all, adults and children.

"oppressive and unrewarding"
It's hard for me to see how this movie is worth anybody's time these days.

"The Dark Crystal" may have been big news back when it came out (in 1982), but it's hard to see what it has to offer anybody in the age of CGI and complete digitization. It hasn't held up well.

Set in another world, the story concerns the quest of an innocent elf-like creature who must return a crystal shard to its proper resting place in order to save the land. There are no humans in this movie, only Muppet-like creatures. (In case you don't know, this film is considered the masterwork of the two masterminds behind the Muppets, Jim Henson and Frank Oz.)

Unfortunately for today's viewers, the technology available for breathing life into movie creatures has so comprehensively improved since this film was shot that the "Dark Crystal" cannot avoid showing its age at every turn. Fatally, for a fantasy, it's simply impossible to lose yourself in the world the film attempts to create, since in nearly every shot you cannot get it out of your head that you are essentially looking at a bunch of puppets, or, occasionally, some guy in a mechanized costume.

As for the story, I found it predictable and marvel at those who claim it is "imaginative." I award very low marks on originality: nearly every story element had been done to death long before this movie saw the light of day.

So who would like this movie? Children, I guess, -- or perhaps somebody who seems to have an unnatural admiration for all things Muppet.

But even then I have reservations. The film is so dark, photographically as well as thematically, that it will probably bum you out for the day. Even during those few moments when the sun in shining, the film still comes across as oppressively dark. True, the directors attempt to relieve the gloom in the final ten seconds or so, but by then it's too little, too late. So basically it's like muppets but without the fun.

Heck, this movie might be unsuitable even for kids. So unrelievedly grim and violent is it (stabbings, burnings, fallings to one's death) that it will probably give any kid under nine at least a couple of nightmares.

There are plenty of kids' movies out there these days that also have something to say to adults, but not this one. I cannot imagine anything appealing to adults in this movie, especially if you make the mistake of viewing the "making of" documentary, also on this DVD, which will completely breaks any spell the film had a chance at.

As for the story, I paid strict attention but was needled by crippling questions. The filmmakers seemed to do a terrible job explaining what's going on, where the crystal came from, how it works, how it got broken, or why anybody even needed it to begin with.