Others say...

"Best opening book for the amateur player"
Watson has succeeded in producing a great book that introduces the opening and the correct approach to developing an understanding of the various openings. He first gives three chapters on the elements underlying the openings for the weaker player. Then follows the openings themselves; they are fully explained with words and not just analysis (as is contained in reference works such as Modern Chess Openings). The analysis follows the ideas and does not just substitute for it. There are many complete games to show how the ideas work out to their logical conclusion.
The book does not cover all the openings, but it does cover all the main openings used in current top level chess. Watson concentrates on sound openings that will give the player good competitive chances. He avoids the marginally sound and bizarre openings that some players use in an attempt to confuse an opponent. Such tactics usually end in the player of those openings getting a disadvantage.
By concentrating on ideas, analysis, and games Watson shows how to prepare for using an opening in competition and how to continue adding to and improving the opening for future use.
This book puts the old Ideas Behind the Chess Openings by Fine to shame. Before he died Fine had the chance to update his book; instead, he choose to leave it a half-century out of date and woefully incomplete.
Players should applaud Watson for finally providing the work needed to really understand and master the opening.

"for under 1800"
I have examined 2/5ths of volume 1 and roughly another fifth in volume 2: my impression is, if you have a good grounding in general opening theory, you will find this material merely repetitive. It does not educate an advanced palate except coincidentally. Of course, it will here and there add an insight to your learning, but that's as any text will do that has been seriously written. The level of the material is, in general, elementary and, of course, in a work of this size, far from encyclopedic. A player above ~1800 will not be well served, unless he wishes to fill gaps in his overall knowledge of the openings. You will not be able to play any of the openings covered in a competitive setting: it simply covers too much ground to provide the player with anything approaching an adequate preparation. Moreover, since opening theory is largely concrete (this is the gist of Watson's Modern Chess Strategy as well), even in this respect Mastering the Openings is apt to be as dangerous as it is beneficial.

A student can obtain this material in less expensive, less verbose presentations; and studying the great masters will absolutely advance your understanding of opening play far more concretely and with greater sophistication than do these volumes. Someone once asked Bobby Fischer how best he could improve his chess play; Fischer directed him to study a comprehensive opening manual (like Nunn's). After completing his assignment some time later, the student returned to Fischer with the same query. Fischer directed him to go read it again. With openings, that's about the sorry best of it, I am afraid.

Still, for the uneducated, as an opening primer it IS adequate, albeit, since it is published in two volumes, time consuming and, again, unduly expensive. If you wish to pay over much for insufficient material, this is your baby. Otherwise, avoid it. I can unequivocally state, I am very disappointed in the purchase.

tlt

"Very Informative"
From fromt to back, this book improved my game drastically. Openings are simplified and explained thoroughly. Watson breaks it down move by move and tells the reader the why's and hows and backs it up with plentiful examples of real life games. Highly recommended!

"Great Book, Great Addition to the Chess Library"
This books is a great addition to anyone's chess library. To achieve best improvement you should be:

1) in the 1500 rating vicinity or higher.
2) You are reasonably good with simple tactics so that you don't spend lots of time questioning why certain moves hasn't been played
3) You don't get out of book quickly in most common openings even if you don't know the whole line
4) in other words, you can make reasonably sound opening moves more than not if you don't know the line.
5) You are familiar and have played a number of common openings like the Ruy Lopez, The Scicilian, QGD, etc
6) You need to increase your positional awareness
7) After a number of moves in the opening you feel you don't know how to proceed.

If you are most or all of the above then this book will greatly help you. It will help you explore themes that arise from openings and help you link middle game plans with openings, one of the ways that separates you from amateurdome.

Study the book carefully. Read it more than once (not necessarily cover to cover). Select openings you'd like to concentrate on and know more about and read and reread.

The book is very thorough and detailed and also give game examples to stress the point. It deals the most common variations and leaves other less important out (this is however subjective as some readers will complain. Check the review on Jeremy Silman's site). A good start for later deeper diving.

As with most chess books, some of the stuff he says won't make sense either because they really don't make sense or because you still don't have enough understanding of the concepts, so always have a critical mind. Always have a critical mind and ask yourself questions before jumping to the author's analysis. That will help you absorp the concepts. Computer analysis is a great tool for you to understand moves that the author left.

Now that didn't sound like a book review, rather a how-to, but I'm saying that cuz I've been through this. I was first reading the book as any other books and it turned out to me no more than variations with some description. Only when I followed the above, I discovered how helpful this book is. I learned to pay attention when the author talks about typical plans arising from the opening. This is very important.

I didn't like much Chapter 3 that everyone raves about. I think it confused me more than helped. Skim through it quickly and refer to it later every once in a while.

My other criticism is that some other important openings have been left out, so check the table of contents and see if your favourite opening is there.

Needless to say, GET BOTH VOLUMES!


"Not really mastering the openings"
John Watson seems to have quite a cult following, and to a point I agree he is unique and insightful. One must appreciate an author who gives their opinion and deep research - that is why you pay for the book. However, I believe the title misses the point, and a couple of openings.

A book that covers the Giuoco Piano, Ruy Lopez, Two Knights Defense, Philidor bypasses the Scotch and Petrov. My database gives the Petrov as the second most common response after 1. e4 e5 2. Nf3, and Scotch as the third most common after 2. ...Nc6. Heck, even the King's Gambit gets seven pages.

This is a good book, with tons of insights into the openings and positions covered, as well as a long overview of the goals of the opening and positional considerations. However, it has several large gaps, and can't be used as an openings reference by itself.

 

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What our customer's say!

"Average", This is a book about the general ideas of different openings, not the detailed variations. But IMO that idea is not really practical because in different openings there are different lines that lead to different kinds of positions (although similiar, there are subtle differences that may change the character of the position quite a bit) the author is sometimes forced to pick out the more popular line and that results in quite a bit of stuff missing out even for general understanding for e4 is the biggest system in chess. The author does not seem to give fair chances to both sides; for example, when introducing the chigorin variation of the Ruy Lopez, the 2 games that he used all ended up with white winning! what is a reader supposed to learn from Black's perspective then? Well, his comments were that Black doesn't really have a chance if White plays patiently and slowly! This is just ridiculous comment on a well respected opening of Black. (Spanish Repertoire for Black, an excellent book on the Chigorin written by a GM in 2007, seems to be useless if one follows the author's comments since if the opponent just be patient Black is bound to lose.)
Also, for those players who wish to purchase to purchase this book to decide upon a repertoire, this book can't really help you with that since he just explains the ideas of the opening briefly, but rarely touches on the subject of what kind of player should play this, etc. I for one, did not find it helpful in determining my repertoire against e4.

"Very good chess openings book", This is a must have book along with volume 2. It begins with fundamentals and goes into details carefully. Notation is clear and it is easy to read.

"Something for everyone", Watson has done another fantastic job with this addition to the chess world. I am rated 2100 and my son is 1400 yet I found there was much to be learned for both of us. I found the chapter on structure significance to be most enlightening. Of course anything in this book will be helpful for class B players and below, but there is enough breadth of information to allow even A players and above to gain more knowledge as well. I would have liked to have seen a chapter on the Scandanavian, but the explanations of similar structures with regards to other openings somewhat covers this. Watson does not skimp on providing the reader with basic ideas and plans, an important part of any book with regards to openings. Watson makes no claim as to knowing all the opening variations and their subsequent evaluations. He equips the reader with a basic and general understanding of the main plans and structures, and advises the reader to pick up "specialized" opening books for those openings that you are drawn to. 4 stars for leaving out a couple of basic e4 responses, otherwise its a perfect piece of literature...well thought out and well written.

"Difficult to follow", I have two problems with this book, first, the author flies from one topic to another, sometimes in mid sentence. There are frequent digressions into tedium, such as "This is all theory, that is, published knowledge. The centre has been cleared out and there's no way to make a simple assessment. Only a lot of brainpower, computer analysis and correspondence chess can solve this sort of thing; in fact, only those things got chess researchers this far!" At one point the author gives a brief history of openings that would challenge an advanced player, but at other times he puts forward the most elementary concepts, such as the slight advantage of a bishop over a knight, or the importance of not developing the queen prematurely. The second problem is not with the author, but with the notational printing. The moves are not separated visually and white piece symbols are used to denote even black's moves. The experience is akin to reading James Joyce, and I gave up in frustration in the middle of the second chapter.

"Good opening overview", This volume covers the KP openings.

Like Volume 2 it explains the concepts concerning pawn structure and piece placement, rather than give variations to memorize.

If you want to understand WHAT to do in an opening, rather than HOW to do it, these are the books for you.



 
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Read this reviews before You buy...

"Outstanding book", The author explains several opening lines from a strategic point of view, and not only by giving variants. This book is both useful and entertaining.

"Great Opening Primer", If you're a club player looking for a good starting point to actually understand the ideas behind the e4 openings, this is it. It may not go as deep as the standards like the Batsford/Modern/Nunn's Chess Opening manuals, but it's really not meant to. While there's a place for the more technical manuals listed above, they can be overwhelming to a club player. Watson goes out of his way to make the openings approachable & understandable, as well as giving some additional ideas you can expand on by yourself.

After you've read this and vol 2 of the series (about d4 openings), you should be able to learn enough to get a feel for openings that fit your style and expand your collection into specific opening guides if you feel you need to.

Highly recommended.

"Book Title Tells All", Another great work by one of the best chess authors in the business. For selfish reasons I wish he could have tackled more variations and more games, but, hey, I understand the Mr. Watson has other books to write. The book definitely gives a great understanding in words and analysis of modern approaches by some of the most novel thinkers in the game today concerning popular openings. Can't wait for Volume II!

"BEST OPENINGS BOOK EVER!", I am only an amateur chess player, but this book helped me more than any other that I've ever read. The basic ideas in the first three chapters made it easy to advance to the instructive and well-written chapters that follow. Instead of these books with rows and rows of moves I found one clear explanation after another. Yet the author also gives plenty of solid variations to build a repertoire around. It's the best of both worlds. You'll love this book!

"A fresh and important look at chess openings", Reviewed by Randy Bauer

There are few chess authors who consistently deliver fresh and challenging works on what are sometimes oft-covered subjects; John Watson proves himself up to the task, again, and it is fitting that it arrived just prior to the Thanksgiving holiday weekend. All I can say is "thanks, John" for making it a special couple of days.

MASTERING THE CHESS OPENINGS: VOLUME 1 is, in many ways, the opening complement to Watson's earlier two volume middle game tour-de-force, SECRETS OF MODERN CHESS STRATEGY and CHESS STRATEGY IN ACTION. Here the author takes deadly aim at the sorts of concrete bits of chess knowledge that an aspiring player must possess to master the first stage of the game.

While earlier "mastering" and "understanding" the opening works tend to stress fairly basic concepts and themes, Watson, as always, digs deeper, and penetrates further into the topics he presents. Far from presenting a "Cliff Notes" method for studying or playing the opening, this book challenges the reader in uncharacteristic ways. For example, Watson delights in identifying structures and themes that cut across openings -- and these aren't your normal "opening cousin" pairings either. While we might expect to see similarities among, say, fianchetto defenses like the Pirc, King's Indian, and Dragon Sicilian, Watson confronts us with pairings like the Pirc and Open Ruy Lopez.

This book concentrates on what are generally called the King's Pawn Openings. Volume two will consider Queen's Pawn Openings. It should be noted from the start that this is not an exhaustive examination of all variations -- or even all openings -- within this classification. The author has sought to cover those variations that best provide a forum for discussion of important opening topics. While I think this is a sensible approach (and given the author's in-depth coverage, a necessary one), there are some disappointments along the way in terms of material that does not get included.

After a brief introduction, the book starts with three chapters that set the stage for the coverage of specific variations in the remaining 11 chapters. The book's remarkable depth are on display in those early chapters, as Watson spends 76 pages covering basic issues like development, king safety, space, piece characteristics, activity and initiative, weaknesses, fianchetto themes, prophylaxis, and color complexes. Perhaps the most useful and involved discussion comes in chapter three, which discusses important issues involving structure. Modern chess and its interpretation of the opening have focused much attention on the interplay between structure and activity, and this chapter provides excellent coverage of topics like isolated pawns (in particular the isolated d-pawn), pawn chains, doubled pawns, hanging pawns, majorities and minorities, and space.

One interesting discussion, which serves as a pre-curser for the book's general approach, involves what the author refers to as "cross pollination" -- situations where themes cross between openings that are not otherwise related. The author touches upon several, including examples of poisoned pawns, g-pawn thrusts, constructive semi-waiting moves in the opening, etc. This early topic discussion helps to cement the analysis that occurs in the following chapters.

As noted above, not all openings receive specific coverage (although many show up in cameo roles based on their topicality to discussion in other opening variations). The first section, which deals with 1.e4 e5 openings, specifically covers the Philidor Defense (1.e4 e5 2.Nf3 d6), the Giuoco Piano (2 Nc6 3.Bc4 Bc5), the Two Knights Defense (3...Nf6), the Ruy Lopez (3.Bb5) and the King's Gambit (2.f4). Comprising 85 pages, this includes some fascinating discussion, particularly on the evolution of the Ruy Lopez. While the examination of the development of theory is fascinating, I was struck by how well the author touches upon -- and answers -- fundamental questions. Why, for example, is the Ruy Lopez 3.Bb5 such a cornerstone of 1.e4 and opening theory -- what, exactly sets it apart from the seemingly more aggressive and challenging 3.Bc4? Watson's explanation is direct and to the point, and its fundamental truth was something I really hadn't grasped after 30 years of serious opening study.

Not surprisingly, given its popularity, the largest single chapter (75 pages) is devoted to the Sicilian Defense (1.e4 c5). The author focuses on the open variations (2.Nf3 generally followed by 3.d4), in particular the Dragon (2...d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 g6), the Najdorf (5...a6), the Classical (5...Nc6), the Accelerated Dragon (2 Nc6 3.d4 cxd4 4.Nxd4 g6), the Four Knights (2...e6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 Nc6), Paulsen (4...a6), and Taimanov (4...Nc6). The author's only major discussion of non-open lines concerns the Alapin (2.c3).

The book concludes with chapters on the Caro-Kann (1.e4 c6), French (1.e4 e6 2.d4 d5) and Pirc (1.e4 Nf6 2.d4 Nf6 3.Nc3 g6). Of these, the Caro-Kann gets probably the shortest shrift, as it is represented only by white's second move divergence with 2.Nc3 and the almost main line with 2.d4 d5 3.e5. The long accepted main lines, which go 3.Nc3 dxe4, are not covered. As might be expected, the French receives better coverage (Watson has written numerous books on the defense), with 41 pages covering the key lines after the main responses 3.Nc3, 3.Nd2. It is notable that the author also spends a fair amount of time on 3.e5 in his early chapter on pawn chains.

One of the things that consistently sets Watson apart from other openings authors is his willingness -- nay, insistence -- on challenging accepted theory. In any number of places, the author suggests improvements or areas for research that might alter current assessments. This, of course, should be the standard approach to openings discussion -- time does not stand still. It is, unfortunately, not the norm among authors. Watson's books are a refreshing reminder that chess is not played out, and there are many discoveries to be found, in all stages of the game.

I also appreciated the author's ability to weave the recurring themes identified in the early chapters into a cohesive discussion in the following pages. In a work with this much depth and discussion of so many variations, it is easy to lose sight of key themes and concepts. Watson is the rare author who can present detail without overwhelming the reader.

Of course, there are a few disappointments along the way. In a book that stresses popular structures, I was surprised at the relative lack of coverage for important center-relinquishing lines in the French (such as 1.e4 e6 2.d4 d5 3.Nc3 dxe4) and Caro-Kann (1.e4 c6 2.d4 d5 3.Nc3 dxe4). I also thought that the symmetrical Petroff structures (1.e4 e5 2.Nf3 Nf6) deserved more attention. Finally, the Alekhine's (1.e4 Nf6) and Scandinavian (1.e4 d5 2.exd5) Defense are important and under-represented, although themes involving the Scandinavian ...Qxd5 are discussed in the sections on the Sicilian Alapin and French Nd2 variation.

There are also a few minor irritations. The author goes to great lengths to remind the reader that the variations provided are representative of key ideas and not necessarily latest theory. The author has also sought to limit the discussion of the sorts of "random" tactical variations that don't lend themselves to discussion of themes and ideas. This is understandable and laudable, but the author's constant reminder of these facts gets tiresome and probably adds at least a page or two to the book's overall page count.

That said, there are many "minor enjoyments" that outweigh the irritants. The book includes a useful table of contents, an extensive bibliography, an index of players and openings. The pages are large, the diagrams numerous, the printing clear, the text very readable, and the book opens flat for easy study.

I took this book with me over the Thanksgiving Holiday weekend. Even while fighting a cold and surrounded by far more relatives than my in-law's house should reasonably hold, the weekend will be remembered fondly for the time spent with a great book that once again rekindled my love for chess and chess books. For that, I owe John Watson my thanks. My bet is that, after reading the book, you will too.



 
 
 

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