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What our customer's say!

"A great read for the Noivce to Expert!", I have read many articles online concerning acoustics as well as have had the pleasure of working in some wonderful million dollar + studios. I must say that this book is perfect for the Novice who is just getting into acoustics as well as someone like me who has a backing and understanding as well as experience in the field. For its price, I recommend it to EVERYONE!

"Getting past the basics", Before this book I read Basic Home Studio Design by Paul White. This book was very introductory and helped me get somewhat comfortable with the terminology and some standard ways of treating rooms.

Mitch Gallagher's book was definitely a step up from that. It was much more informative and introduced many ways of treating a room (broadband absorbers, bass traps, foam, ceiling clouds, etc.)

This book will without a doubt help one get associated with acoustics. Read the book in its entirety. The only crucial thing that I don't think it focused on much was how to measure your room yourself (acoustically, for flutter echo, decay time, frequency response, etc.)

But, it does give some information that one will be able to figure out and apply properly with a little internet research.

All in all, a very good book that will be very helpful.

"Studio for the home recordist on the cheap", There are a lot of books on setting up and working in a home studio - very few on treating the frequency response - fewer on doing it on the cheap using the room you have. This is such a book. The case studies are useful and after seeing a few, a pattern emerges and the mystique falls away and you realize that its not such a black art and you can do it yourself using various inexpensive materials. I definitely found this to be a great reasource for getting my room response under control while spending just a couple hundred dollars.

This book is a gem.

"Tips on getting the most from such a project.", It used to be that musicians went to a professional studio to make recordings; but with all the advancements in computer and recording technology, such a studio is affordable for the home - and ACOUSTIC DESIGN FOR THE HOME STUDIO tells how to make a room perfect for the recording sound desired. Tips on how to sound-proof a home or project studio tell how to use an existing room, whether it be garage or bedroom, and provide diagrams, photos of revamped rooms, and tips on getting the most from such a project.

Diane C. Donovan
California Bookwatch

"Good Studio Design Regardless of your Budget", The equipment available today at the 'advanced amateur' level far exceeds that which was available to the professional only a few years ago. But the quality of the recordings being made do not come up to professional standards. Apart from skill at using the equipment, the biggest difference is the studio where the work is being done.

If the sound is being bounced all around the room in an uncontrollable manner, this will be recorded faithfully by the equipment. The equipment cannot distinguish the sounds you want (and hear) but takes in what your ears are rejecting.

This is an excellent book that gives a bit of the theory of acoustics and studio design and then gives practical examples of studios that were constructed using these principles. There are a number of designs described which cover a range in cost from near nothing to designs that you'd better discuss with your wife before you start spending money. Most of these designs do not involve altering the basic structure of the room itself, just panels you might attach and then take down when you move.

This book is an excellent introduction to a fairly arcane subject.