Others say...

"An Expert with a Clear Voice on Film & Video Editing"
When I received my copy of Gael Chandler's book on film and video editing, Cut by Cut, a quick scan told me she has created a very complete book, with clear explanations of the details of editing (both technical and aesthetic), great illustrations and tables, and fun to read. Now, I have read much of the book, and my opinion has changed little. She has covered the rich heritage of film editing terminology and equipment choices over the past century - from scissors to the latest in digital editing equipment. While the weight of the content leans toward the technical, Gael has successfully interwoven editing principles and the editor's concerns for visual communications and audience interest with clear descriptions of procedures.
I think Cut by Cut is the perfect text for all students of film and video production. Entertainingly easy to read, her narrative is supported by comprehensive reference tables and charts, templates for managing editing projects, and clear instructions on the setup and use of equipment. I can also imagine experienced editors benefiting from the book as a handy reference for navigating this field's increasing complexity

"Excellent!"
I met her 10 years ago while she started to write this book...I was shocked she wrote the every essential elements in editing from techincal side to artistic side...sure i will persuade the Asian publisher to do a translation copy of her work.

"The only editing book you need"
I have only made one film, but I do buy film books for a library, and this book on editing has it all. It covers a mountain of material thoroughly and in a well-organized way. The book is up to date on technical aspects of digital post-production, as well as astute and articulate about the creative process. It has a great glossary, as well as practical appendices that will enable DIY filmmakers to hit the ground running. Thanks to this book, I'm inspired to make another film!

"Simply a 'must' for any film or video editor"
Gael Chandler's Cut By Cut: Editing Your Film Or Video is simply a 'must' for any film or video editor: it's a reference non-specific to any brand of gear and offers all levels a solid course on turning raw footage to polished productions. From editing action and montage to editing comedy, commercials and other genres, CUT BY CUT is packed with forms, tables, illustrations, examples, streamlining tips, options, and common practices. So invaluable that it's recommended as a basic text.

"If you want a career in the film industry, I highly recommend this book."
I am an assistant (and sometimes still an apprentice) editor. When my Academy Award winning editor/boss told me to get this book, I didn't believe him. I knew how to run the Avid in my sleep and was getting jobs. But he was using it and recommending it to everyone he knew and then it was reviewed in this month's (July/August) Editors Guild magazine by a guy I trust. So I ordered it. Now ­I am recommending it. It covers everything you want to know about editing but were afraid to ask. It talks about the process and why editor's cut, not just how to digitize (it covers that generally) and how to get a job (I agree.) It has lots of useful charts and tables of all the stuff that you forget to remember such as formats, aspect ratios, film-to-tape conversion and vice versa. The author has clearly been in the editing trenches. I like her humorous tidbits and historical references like how R2D2 got his name. She also covers film - syncing, cutlists, neg cutting, etc. thoroughly which freaks the computer generation like me sometimes just as much as digital stuff can freaks older editors and directors. The film information as well as the digital, Web, DVD, and tape processes she so thoroughly details, have been invaluable to me in my work, paid and non. Speaking of which, gotta get back to my web film!





 

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  Cut by Cut: Editing Your Film or Video

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What our customer's say!

"Wish I had this book years ago.", If I had this book as a reference when I first started out as a newbie assistant editor I would have made less mistakes along the way.

Recently, I found this book when I started teaching an introduction to digital editing at the college level. Now I literally stand in front of the class with the book in my hands and say: "Learn what Chandler is teaching you in this book and you'll be on your way to getting and keeping a job as an assistant film editor. It is so full of practical advice and solid information on what to do and when and how to do it.

Because of the availability of lower cost editing applications today, many young people become quite technically savvy with the software even before they leave high school. But they have no knowledge of, or experience of working with projects shot on film. Nor are they aware of the aesthetics of the art of editing.

Chandler's book makes the reader aware of how much work has to be done before even one scene should be cut. Then she gives some great advice on what to consider when editing in general, and when dealing with various types of projects. It is a must read for anyone who needs more knowledge before they step into the digital cutting room.

"a gold mine for the viewer, it changed how I watch a film", I am never going to make a movie -I just love watching them, talking about them and understanding them. This book gave me enormous insight into how movies are made, not just edited. All the parts of a film come together in the editing process and Ms. Chandler explains how all those parts come into being as well as how they are edited together to make a film.
It is well written and precise, as a technical book should be, but it is also lucid and frequently funny.
Other than a couple pages of detailed film planning material at the end of each chapter everything in this book will be of great interest to any film buff


"Terrific Text Book OF Finishing a film", A comprehensive, updated, description of how to post, edit and finish a film including both creative and mechanical processes. Clearly written, many tables, charts, and illustrations. Covers film, digital, and web preparaton workflows. Fabulous book. High recommenation. But this leans on the technical and workflow side, not the creative. A wonderful review of the ENTIRE process. Necessary text for all film students.

"blanc pages", If you buy the book, you have to be prepared to read much useless information.
The interesting part of the book (10 to 15 pages) focuses on practical editing problems.
The rest of the book contains endless lists of unnecessary information on video/film editing.
From 360 pages of the book only 10-20 really count.
Other books like "on editing" by Edward Dmytryk or " the technique of film editing" by Karel Reisz contain full, real, deep, dense information on the subject.
And for the amateur/enthusiast/prosumer film/video maker (like me) there is one book that really arms us for the battle in that difficult field.
A book with myriads of most valuable information.
A book that it's a pity only few knowledgeable people have mentioned it.
The "Five C's of cinematography" by Joseph Mascelli.
That book every day teaches me. And that author is a big teacher, someone who loves and really wants to communicate his knowledge with fond to learning people.



"Jam packed full of 'how to', tips and advice. Great Stuff.", This book is a reminder that there's more to editing than meets the eye.

Chandler methodically details editing practice and thoery in an easy to understand way. There's so much here for the interested hobbyist to the aspiring editor.

An indespensible resource.



 
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Read this reviews before You buy...

"Only up-to-date book that lays out how to edit digital and film projects from beginning to end", I work in Europe and across the US on shorts of all kinds:commercial,docs,and music videos and occasionally on film.
Cut by Cut is the only book I've found that lays out how to edit all types of project from beginning to end.I higly recommend it to all who do their own editing whether they're beginners or experienced like me.I take it wherever I go and have been sharing it with colleagues on both sides of the Atlantic.
Babi,Videographer

"Excellent book, but for limited audience", The book is very well written. It is well organized, clear and consise. It gives an excellent overview of the entire workflow of editing in both the digital and film realms. It also does a nice job comparing the two mediums. The tables scattered throughout the book are quite helpful and an effective way at allowing one to compare and contrast the items being discussed.

The limit too the books potential though is that most of its discussions are in a summary nature. Its like a tasting menu at a fine restaurant. Everything presented to you is wonderful, but it leaves you unsatisifed and wanting more. There is just not much there to entice one to return to this book later. The technical materials it does cover are those you would hope most people who call themself an editor would be know; as a result it does not serve much function as a reference material. Thus, this book is best served as an introduction to editing for the novice editor. But in that role it does a fine job. Especially by including discussions of job finding strategies, web sites, and dealing with bad situations in the workplace.

So if you're an experienced editor looking for an interesting read about editing (which so many are because its so rare to find one) stick to Walter Murch and Gabriella Oldham. If you're looking to break out into the editing world though, definitely give this book a read through (especially all you digital only folks, this will help you appreciate the film end of the spectrum). I also highly recommond this book, or at least parts of it, for producers, directors and cinematographers. Maybe then the production end might be a little more mindful of their demands on the post production end (though probably not).

"terrific for commerical video producers", I found Chander's book an excellent text for those in my company new to editing, as well as a great way for those of us with experience to freshen up our skills. I was not sure at first if it would be useful for commercial video projects, but it turns out to be fully applicable and helpful. We are now doing a promotional video for a client that needed some special touches and have found Chandler's insights quite useful. Many thumbs up!

"Great Guide to the Art of Editing", We teach Final Cut Pro at our Weekend Film School in New York City. Too many books focus only on which keystrokes and buttons to push. This book doesn't just tell you "how" to edit but "why" to perform certain tasks. We recommend it highly.

"Thorough and Readable--A Great Guide For Anyone.", I do not work in the entertainment industry, nor do I ever intend to be a film, video, sound or any other type of editor professionally. My interest in "Cut by Cut" came from wanting to learn just a few editing basics. I have a closet overflowing with scores of VHS home videos that I'm transfering to DVDs. Soon after beginning this project, I realized it would be possible and fun to do something creative with the miles and miles of my footage. Something better than just a direct transfer. Something polished. But I didn't know where or how to begin. "Cut by Cut" told me exactly what I needed to know. I learned the hows and whys of film editing in a way that was clear and readable for a novice like me. Sure, this book has tons of information for industry professionals and wannabees--stuff I'll never use. But it has the basics, too. The stuff I was looking for. Who could ask for more than that?

 
 
 

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