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Others say..."Enlightening and entertaining"This spring along side the adventurous movie block-busters, I experienced an excellent guide to movie aesthetics and structure. The book 'Myth and the Movies' by Stuart Voytilla; Sheridan Books 1999, is an exquisite taste of film memorabilia. From its opening paragraphs on the mythical hero's journey, to the archetypes and breakdown of over 50 block-buster movies; this book really focuses on film structure and paradigm. All genres are covered, from the Western to the Action Adventure (the Action Adventure being the one with a golbal appeal), its all in the book. I strongly recommend this book as a learning tool or guide to every serious film student. Respectfully, Mikey Jay / film student 'San Diego State University' May 28, 2003 "Terrific book for students of the movies"Loved this book. Great analysis of plot and structure onthe major movies by genre. Every student of writing will love this book, whether writing novels or plays. "The Journey Continues"Stuart Voytilla's "Myth and the Movies" is a must read for anyone interested in screenwriting, story telling, or simply enjoying movies. Standing on the broad shoulders of Joseph Campbell, Christopher Vogler, and others who have demonstrated how mythology is used, Voytilla brings fresh insight and clarity to the subject. Voytilla's effort is painstaking and enormous. "Myth and the Movies" explores the mythological structure of 50 great and familiar films. Voytilla's vision is clear and precise--demonstrating a great mastery of the art form as well as possessing a lucid and incisive writing style. Voytilla's book is better than any graduate film school curriculum. Best of all, the author wastes no time focusing on non-essential elements. He cuts straight to the chase and doesn't let up throughout this marvelously insightful tome. If you want to learn how to write a story more efficiently, or even if you simply wish to derive more pleasure from watching films at your neighborhood theater, "Myth and the Movies" should be at the top of your reading list. Stuart Voytilla has written a masterpiece for all who are interested in film--whether novice, pro, or fan. "OK for the perceptually challenged."The "information" contained in this book as well as its close relative, Vogler's 'The Writer's Journey, may be of use to some readers and aspiring writers, but it should not be mistaken for "knowledge"--the internalized recognition of patterns and archetypes acquired as a result of experiencing the original texts. It was only AFTER I had noticed repeated themes and structures in The Odyssey, The Aeneid, Beowulf, The Divine Comedy, Rhyme of the Ancient Mariner, Heart of Darkness that the similar discoveries of great teachers like Freud, Jung, Weston, Frazer, and Campbell confirmed a sense of the unity (despite the arguments of the post-structuralists) of human experience and great literature. Soon it became impossible not to see "It's a Wonderful Life" and "The Maltese Falcon" as anything other than variations of the same story. And now we've got these patterns codified and reduced to skeletal formula, empty maps practically offered as surrogates for the actual experience itself. I seriously question if the consumer of these reductive catalogs and outlines will, like Coleridge's Mariner, emerge "sadder but wiser" or, like Conrad's Marlowe, glimpse the underlying "horror" of civilization in all its irony and mystery. In sum: Reader's Digest culture for the new age.
"The Ultimate Gift" Stuart Voytilla's book "Myth and the Movies" is the ultimate gift to a writer. As a recent student of Voytilla's I can't even being to explain how helpful this book was in developing my screenwriting skills. I highly recommend this book to writers of all ages and levels.
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Myth & the Movies: Discovering the Myth Structure of 50 Unforgettable Films
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What our customer's say!
"Seems far more interesting as a concept than an actual execution", If there is a 12 or 13th Edition to this book, give me a call.
As it is, it looks like an interesting work of progress that someone prematurely released when they should have still kept it on the editors desk.
It needs work. It needs lots and lots of work.
It is fantastic as a premise, but in its current form it needs be resubmitted for a re-edit.
"Nothing new here", I had to read this book for a class taught by the author. There are not really any new ideas here. A person who has never been exposed to genre, character type and a three-act structure might find it useful. I found the dissection and analyses dry and un-insightful. Serious and seasoned screenwriters may be disappointed.
"A Phenomenal Guide for Screenwriters", I am a huge fan of this book. It invites you into a secret club of those special people who can read a script or watch a film and and decipher all of its great qualities and not-so-great qualities. It gives you a complete template of how to write a succesful story so that it commits the audience to the film through emotion. A superb book!
"Interesting Genre analysis, Nominal story analysis, ", After reading Vogler I was interested in how an expert might wholisticly apply his structure to actual movies.
Unfortunately, Voytilla's analysis of individual movies is rather shallow and nominal. i.e. He basically rehashes movie plots using keywords for Voglers book to name them. There is no introspection into how these elements provide drama, work with the theme of the movie, or highten an audience's investment in the hero.
The only parts of the book that I found interesting were Voytilla's analysis of Genres. Here he writes about similar structures, themes, and purposes found within genres such as comedy, adventure, action etc.
If you are at a loss to apply Vogler's works, this book will be helpful. If you are interested in breif and somewhat interesting Genre analysis and don't mind dropping a few bucks then you might pick up a couple of interesting tidbits here and there.
However, if you're looking for an analysis that truly enlightens the dynamics behind the dramatic excellence of a movie, skip this book, rent a bunch of movies and apply Vogler's ideas for yourself. (Disney movies such as the Little Mermaid are a great place to start.)
"EXCELLENT GUIDE TO STORY SCTRUCTURE", As Advertised, this book is a guide to the story structure of 50 great movies. "Myth and the Movies" uses the Heroes Journey model which is illustrated in "The Writers Journey" but Christopher Volger." I'd recommend getting books and using them as companions to one another.
You might need this... The Writers Journey: Mythic Structure for Writers, 3rd Edition details..
|  Story: Substance, Structure, Style and The Principles of Screenwriting details..
|  The Hero with a Thousand Faces (Bollingen Series) details..
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 Save The Cat! The Last Book on Screenwriting You'll Ever Need details..
|  Cinematic Storytelling: The 100 Most Powerful Film Conventions Every Filmmaker Must Know details..
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Read this reviews before You buy..."Unique, original reading for film buffs & cinema historians.", Myth And The Movies: Discovering The Mythic Structure Of 50 Unforgettable Films is a unique and original approach to showing aspiring screenwriters how story development problems were solved by analyzing the production scripts of classic Hollywood films ranging from The Godfather, Some Like It Hot, and Citizen Kane to Dances with Wolves, The Silence of the Lambs, and The Star Wars Trilogy. Engaging, informative reading for film researchers, teachers, and playwrights, Myth And The Movies will also be of immense interest to film buffs and cinema historians, as well as the non-specialist general reader with an interest in enhancing their enjoyment of the movies by understanding the mythic roots of theatrical storytelling. "There's no myth about this book!", What does it take to put a move together? A director, a producer, a cast of well-known actors and actresses, and a script, right? Are all movie structured the same? Myth and the Movies may help to answer some of these questions. Using 50 very famous films the author attempt to show that every movie follows a pattern or as the author calls it " the hero's journey". After reading this and renting a couple of the movies, the author may be onto something. Voytilla uses horror, war, drama, romance, comedy, science fiction, action, adventure, western and thriller films to illustrate his point, and he does this extremely well. Voytilla presents clear and convincing facts to back up his claims. The book is a valuable reference for those interested in screenwriting, becoming a playwright or the theatre in general. After reading this book you might even be tempted to take a shot at creating a myth or two of your own.
"Buy this outstanding screenwriting tool!", Buy this book! Myth and the Movies is a tremendous asset to any screenwriter in the process of building a script or needing a fix for story and structural problems in it. I recommend it to all my clients.'
"Myth-ter Voytilla Reels in Central Storytelling Concepts", Stuart Voytilla's analysis of 50 films is incredible. People who are critics of myth as story structure's basic building blocks will find themselves amazed at how brilliantly Voytilla structurally disects such ungraphable movies as Almodovar's WOMEN ON THE VERGE...! Voytilla has structured it so you need not read the book from beginning to end, just flip to whatever movie structure interests you. The chapters are separated by genre, which makes referencing easy. A MUST HAVE reference book for storytellers of all kinds-- especially young filmmakers.
"A Remarkable Achievement", MYTH AND THE MOVIES is a remarkable achievement: an ambitious, thought-provoking, and cogent analysis of the mythic underpinnings of fifty great movies. It should prove a valuable resource for film teachers, students, critics and especially screenwriters, whose challenge, as Voytilla so clearly understands, is to constantly reinvent a mythology for our times.
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